Fragments d’origine incertaine qui crépitent dans votre tête
This essay reflects on the use of a pseudonym by female authors whose work and relationship with the media express a resistance to the obligation to appear publicly. Elena Ferrante and Nelly Arcan play on the border between fiction and autobiography in order to escape their readers as well as critic...
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| Format: | Article |
| Language: | fra |
| Published: |
Université de Liège
2018-04-01
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| Series: | Contextes |
| Subjects: | |
| Online Access: | https://journals.openedition.org/contextes/6449 |
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