Fragments d’origine incertaine qui crépitent dans votre tête

This essay reflects on the use of a pseudonym by female authors whose work and relationship with the media express a resistance to the obligation to appear publicly. Elena Ferrante and Nelly Arcan play on the border between fiction and autobiography in order to escape their readers as well as critic...

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Bibliographic Details
Main Author: Martine Delvaux
Format: Article
Language:fra
Published: Université de Liège 2018-04-01
Series:Contextes
Subjects:
Online Access:https://journals.openedition.org/contextes/6449
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