Femmes et films de guerre en Grande-Bretagne (1939-1945) : signes d’émancipation ou cas de manipulation ?
This article analyzes the representation of women in a certain number of filmic texts released in Great Britain between 1939 and 1945: more particularly, Fires Were Started, Millions Like Us and Went the Day Well? The innovatory roles these films offer to women have led me to ask whether the represe...
Saved in:
Main Author: | Elizabeth de Cacqueray |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses universitaires de Rennes
2006-09-01
|
Series: | Revue LISA |
Online Access: | https://journals.openedition.org/lisa/2026 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
ELLE : un outil d’émancipation de la femme entre journalisme et littérature 1945-1960 ?
by: Karine Grandpierre
Published: (2012-05-01) -
Sans cesse redessiner les gestes d’émancipation
by: Nicolas Go
Published: (2014-10-01) -
De la guerre civile comme vecteur d’émancipation féminine : l’exemple des aristocrates frondeuses (France, 1648-1653)
by: Sophie Vergnes
Published: (2010-07-01) -
Women, war and cinema, 1939-1945: blitz on gender stereotypes?
by: Elizabeth de Cacqueray
Published: (2008-09-01) -
L’après-guerre du peuple ? La Grande-Bretagne sous les Travaillistes vue par Britain To-day (1945-1950)
by: Alice Byrne
Published: (2006-09-01)