Lo scritto contro l'orale nel contesto del dialogo platonico: tre esempi dal Fedone
Plato's literary work consists of written dialogues imitating face-to-face dialogical performances. This practice apparently runs against Plato's own principle that a written text is structurally unable to produce as much meaning as an oral exchange, and risks therefore to be unfit for dev...
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Università degli Studi di Ferrara
2013-06-01
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| Series: | Annali Online dell'Università di Ferrara. Sezione Lettere |
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| author | Stefano Jedrkiewicz |
| author_facet | Stefano Jedrkiewicz |
| author_sort | Stefano Jedrkiewicz |
| collection | DOAJ |
| description | Plato's literary work consists of written dialogues imitating face-to-face dialogical performances. This practice apparently runs against Plato's own principle that a written text is structurally unable to produce as much meaning as an oral exchange, and risks therefore to be unfit for developing a discourse aimed at truth. Three short specific passages are selected out of the Phaedo (the dialogue portraying arguably the most dramatical and philosophically relevant of Socrates' dialogical performances), in order to describe how Plato has faced the challenge he has set to himself, managing to transform his own mimetical description into an inducement to active philosophy for the benefit of the reader. Incidentally, the notion of "authorship" is also being discussed in relation to the literary genre of the Platonic dialogue. |
| format | Article |
| id | doaj-art-f6c5ecc9c0a2455a825a94e9c95eec9b |
| institution | Kabale University |
| issn | 1826-803X |
| language | deu |
| publishDate | 2013-06-01 |
| publisher | Università degli Studi di Ferrara |
| record_format | Article |
| series | Annali Online dell'Università di Ferrara. Sezione Lettere |
| spelling | doaj-art-f6c5ecc9c0a2455a825a94e9c95eec9b2025-08-25T16:06:49ZdeuUniversità degli Studi di FerraraAnnali Online dell'Università di Ferrara. Sezione Lettere1826-803X2013-06-01VIII11232https://doi.org/10.15160/1826-803X/738Lo scritto contro l'orale nel contesto del dialogo platonico: tre esempi dal FedoneStefano JedrkiewiczPlato's literary work consists of written dialogues imitating face-to-face dialogical performances. This practice apparently runs against Plato's own principle that a written text is structurally unable to produce as much meaning as an oral exchange, and risks therefore to be unfit for developing a discourse aimed at truth. Three short specific passages are selected out of the Phaedo (the dialogue portraying arguably the most dramatical and philosophically relevant of Socrates' dialogical performances), in order to describe how Plato has faced the challenge he has set to himself, managing to transform his own mimetical description into an inducement to active philosophy for the benefit of the reader. Incidentally, the notion of "authorship" is also being discussed in relation to the literary genre of the Platonic dialogue. |
| spellingShingle | Stefano Jedrkiewicz Lo scritto contro l'orale nel contesto del dialogo platonico: tre esempi dal Fedone Annali Online dell'Università di Ferrara. Sezione Lettere |
| title | Lo scritto contro l'orale nel contesto del dialogo platonico: tre esempi dal Fedone |
| title_full | Lo scritto contro l'orale nel contesto del dialogo platonico: tre esempi dal Fedone |
| title_fullStr | Lo scritto contro l'orale nel contesto del dialogo platonico: tre esempi dal Fedone |
| title_full_unstemmed | Lo scritto contro l'orale nel contesto del dialogo platonico: tre esempi dal Fedone |
| title_short | Lo scritto contro l'orale nel contesto del dialogo platonico: tre esempi dal Fedone |
| title_sort | lo scritto contro l orale nel contesto del dialogo platonico tre esempi dal fedone |
| work_keys_str_mv | AT stefanojedrkiewicz loscrittocontroloralenelcontestodeldialogoplatonicotreesempidalfedone |