Юмористический тон как маркер авторского взгляда в комедиях Надежды Птушкиной
The article considers comic humour as an emotional and semantic component of the statements in two comedies written by Nadezhda Ptushkina: Paying ahead and Come and take away, which can be attributed to popular mass literature. Distinguishing between the manifestations of situational and semantic c...
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| Format: | Article |
| Language: | deu |
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Adam Mickiewicz University in Poznań
2022-06-01
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| Series: | Studia Rossica Posnaniensia |
| Subjects: | |
| Online Access: | https://pressto.amu.edu.pl/index.php/strp/article/view/34345 |
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| _version_ | 1841562355246301184 |
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| author | Natalia Maliutina |
| author_facet | Natalia Maliutina |
| author_sort | Natalia Maliutina |
| collection | DOAJ |
| description |
The article considers comic humour as an emotional and semantic component of the statements in two comedies written by Nadezhda Ptushkina: Paying ahead and Come and take
away, which can be attributed to popular mass literature. Distinguishing between the manifestations of situational and semantic comedy and humour the article shows how the humorous tone of the character’s remarks changes the overall genre tone of the comedy. Due to the idea of how much the personality does not fit into the narrow framework of the stereotypical perception of the situation of the husband’s withdrawal from the family, the article notes the dramatic and tragic modality of the statements in the plays. At the same time, in all situations and in all manifestations of the relationship between the characters, we feel the author’s view. The author is distinguished by the ability to understand and accept a different opinion to optimistically see the possibility of preserving the family and identity of each person in the process of collisions with other opinions. Despite the author’s rejection the play retains a belief in a certain general harmony of the human soul, which is especially vividly perceived thanks to allusions to Chekhov’s plays. Techniques contribute to the removal of the author’s view and the positions of the characters: dialogue of the deaf, distancing the author’s view and the character’s position, wordplay. All these techniques contribute to overcoming the farcical nature of the conflict and its dramatization.
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| format | Article |
| id | doaj-art-f5fe8fc710854d30b5d8147953ede6ee |
| institution | Kabale University |
| issn | 0081-6884 |
| language | deu |
| publishDate | 2022-06-01 |
| publisher | Adam Mickiewicz University in Poznań |
| record_format | Article |
| series | Studia Rossica Posnaniensia |
| spelling | doaj-art-f5fe8fc710854d30b5d8147953ede6ee2025-01-03T01:02:52ZdeuAdam Mickiewicz University in PoznańStudia Rossica Posnaniensia0081-68842022-06-0147110.14746/strp.2022.47.1.5Юмористический тон как маркер авторского взгляда в комедиях Надежды ПтушкинойNatalia Maliutina0Uniwersytet w Białymstoku The article considers comic humour as an emotional and semantic component of the statements in two comedies written by Nadezhda Ptushkina: Paying ahead and Come and take away, which can be attributed to popular mass literature. Distinguishing between the manifestations of situational and semantic comedy and humour the article shows how the humorous tone of the character’s remarks changes the overall genre tone of the comedy. Due to the idea of how much the personality does not fit into the narrow framework of the stereotypical perception of the situation of the husband’s withdrawal from the family, the article notes the dramatic and tragic modality of the statements in the plays. At the same time, in all situations and in all manifestations of the relationship between the characters, we feel the author’s view. The author is distinguished by the ability to understand and accept a different opinion to optimistically see the possibility of preserving the family and identity of each person in the process of collisions with other opinions. Despite the author’s rejection the play retains a belief in a certain general harmony of the human soul, which is especially vividly perceived thanks to allusions to Chekhov’s plays. Techniques contribute to the removal of the author’s view and the positions of the characters: dialogue of the deaf, distancing the author’s view and the character’s position, wordplay. All these techniques contribute to overcoming the farcical nature of the conflict and its dramatization. https://pressto.amu.edu.pl/index.php/strp/article/view/34345comedyfarcehumourcomictoneauthor of the play |
| spellingShingle | Natalia Maliutina Юмористический тон как маркер авторского взгляда в комедиях Надежды Птушкиной Studia Rossica Posnaniensia comedy farce humour comic tone author of the play |
| title | Юмористический тон как маркер авторского взгляда в комедиях Надежды Птушкиной |
| title_full | Юмористический тон как маркер авторского взгляда в комедиях Надежды Птушкиной |
| title_fullStr | Юмористический тон как маркер авторского взгляда в комедиях Надежды Птушкиной |
| title_full_unstemmed | Юмористический тон как маркер авторского взгляда в комедиях Надежды Птушкиной |
| title_short | Юмористический тон как маркер авторского взгляда в комедиях Надежды Птушкиной |
| title_sort | юмористический тон как маркер авторского взгляда в комедиях надежды птушкиной |
| topic | comedy farce humour comic tone author of the play |
| url | https://pressto.amu.edu.pl/index.php/strp/article/view/34345 |
| work_keys_str_mv | AT nataliamaliutina ûmorističeskijtonkakmarkeravtorskogovzglâdavkomediâhnadeždyptuškinoj |