Jodorowsky: del cine vanguardista a la escritura psicomágica
The following article states that psychomagic, Alejandro Jodorowsky's psychotherapeutic invention, is an unexpected, and to some extent unwanted, derivation of his career as a filmmaker. After his successful rise with films like El topo and La montaña sagrada, Jodorowsky suffers a resounding fa...
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| Main Authors: | , |
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| Format: | Article |
| Language: | Spanish |
| Published: |
Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2024-12-01
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| Series: | Cuadernos LIRICO |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lirico/16306 |
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| Summary: | The following article states that psychomagic, Alejandro Jodorowsky's psychotherapeutic invention, is an unexpected, and to some extent unwanted, derivation of his career as a filmmaker. After his successful rise with films like El topo and La montaña sagrada, Jodorowsky suffers a resounding failure with Dune and then a total defeat with Tusk: psychomagic becomes, then, an activity that initially solves his economy and that ends up substituting the cinema as a form of expression. |
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| ISSN: | 2262-8339 |