Le regard de Sebastião Salgado sur les -travailleurs de la mine de Serra Pelada (1986) : esthétique d’une servitude moderne
In this article we study one of the famous reports of the Brazilian photographer Sebastião Salgado: “The gold mine of Serra Pelada. State of Pará. Brazil”. Made in 1986, these photographs belong to a bigger project called “man’s hand”, aiming to represent different ways of working in our planet. The...
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| Format: | Article |
| Language: | Spanish |
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Presses universitaires du Midi
2018-12-01
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| Series: | Caravelle |
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| Online Access: | https://journals.openedition.org/caravelle/3850 |
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| author | Marion Gautreau |
| author_facet | Marion Gautreau |
| author_sort | Marion Gautreau |
| collection | DOAJ |
| description | In this article we study one of the famous reports of the Brazilian photographer Sebastião Salgado: “The gold mine of Serra Pelada. State of Pará. Brazil”. Made in 1986, these photographs belong to a bigger project called “man’s hand”, aiming to represent different ways of working in our planet. The report about the gold mine interrogates the relation between man and profit, the border between humanity and animality, including the persistence of relations of domination in Latin America at the end of the 20th century. |
| format | Article |
| id | doaj-art-eee6eeb799b64fdea766a6a8229c414e |
| institution | Kabale University |
| issn | 1147-6753 2272-9828 |
| language | Spanish |
| publishDate | 2018-12-01 |
| publisher | Presses universitaires du Midi |
| record_format | Article |
| series | Caravelle |
| spelling | doaj-art-eee6eeb799b64fdea766a6a8229c414e2025-01-09T16:15:45ZspaPresses universitaires du MidiCaravelle1147-67532272-98282018-12-0111111112610.4000/caravelle.3850Le regard de Sebastião Salgado sur les -travailleurs de la mine de Serra Pelada (1986) : esthétique d’une servitude moderneMarion GautreauIn this article we study one of the famous reports of the Brazilian photographer Sebastião Salgado: “The gold mine of Serra Pelada. State of Pará. Brazil”. Made in 1986, these photographs belong to a bigger project called “man’s hand”, aiming to represent different ways of working in our planet. The report about the gold mine interrogates the relation between man and profit, the border between humanity and animality, including the persistence of relations of domination in Latin America at the end of the 20th century.https://journals.openedition.org/caravelle/3850photographySebastião Salgadominegoldworker |
| spellingShingle | Marion Gautreau Le regard de Sebastião Salgado sur les -travailleurs de la mine de Serra Pelada (1986) : esthétique d’une servitude moderne Caravelle photography Sebastião Salgado mine gold worker |
| title | Le regard de Sebastião Salgado sur les -travailleurs de la mine de Serra Pelada (1986) : esthétique d’une servitude moderne |
| title_full | Le regard de Sebastião Salgado sur les -travailleurs de la mine de Serra Pelada (1986) : esthétique d’une servitude moderne |
| title_fullStr | Le regard de Sebastião Salgado sur les -travailleurs de la mine de Serra Pelada (1986) : esthétique d’une servitude moderne |
| title_full_unstemmed | Le regard de Sebastião Salgado sur les -travailleurs de la mine de Serra Pelada (1986) : esthétique d’une servitude moderne |
| title_short | Le regard de Sebastião Salgado sur les -travailleurs de la mine de Serra Pelada (1986) : esthétique d’une servitude moderne |
| title_sort | le regard de sebastiao salgado sur les travailleurs de la mine de serra pelada 1986 esthetique d une servitude moderne |
| topic | photography Sebastião Salgado mine gold worker |
| url | https://journals.openedition.org/caravelle/3850 |
| work_keys_str_mv | AT mariongautreau leregarddesebastiaosalgadosurlestravailleursdelaminedeserrapelada1986esthetiqueduneservitudemoderne |