Las perlas de Rosa (1914) de Aurora Cáceres: una bella muerte. Imaginarios estético-ideológicos modernistas de entre siglos en clave femenina
Within the modernist production, Las perlas de Rosa (1914), by Aurora Cáceres, constitutes an exceptional text because it presents the existential crisis of a woman in which the masculine modernist languages are put into play, contaminating them with a discourse of Christian forgiveness and redempti...
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| Format: | Article |
| Language: | Spanish |
| Published: |
Groupe de Recherche Amérique Latine Histoire et Mémoire
2024-06-01
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| Series: | Les Cahiers ALHIM |
| Subjects: | |
| Online Access: | https://journals.openedition.org/alhim/12252 |
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| Summary: | Within the modernist production, Las perlas de Rosa (1914), by Aurora Cáceres, constitutes an exceptional text because it presents the existential crisis of a woman in which the masculine modernist languages are put into play, contaminating them with a discourse of Christian forgiveness and redemption that, in turn, alter the hegemonic feminine Catholic ideology of the time. The lines of critical analysis that I propose in this article address the configuration of the novel's aesthetic-ideological languages and its narrative structure. This allows me to analyze the life and the vital crisis of the protagonist as a staging of the political struggle that Cáceres developed in this text to propose an ideology of representation of femininity different from those proposed by the modernists but within a modernist aesthetic languages. |
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| ISSN: | 1628-6731 1777-5175 |