On the Road Again: James Sallis’s Neo-Noir Fiction
James Sallis’s Death Will Have Your Eyes (1997), Drive (2005), and Driven (2012) comprise a triad of neo-noir narratives that exploit but also undercut the American archetype of the open road as a mythic space of possibility. Like picaresque antiheroes, the protagonists of these minimalist novels fi...
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Language: | English |
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European Association for American Studies
2024-06-01
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Series: | European Journal of American Studies |
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Online Access: | https://journals.openedition.org/ejas/22002 |
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author | Robert Lance Snyder |
author_facet | Robert Lance Snyder |
author_sort | Robert Lance Snyder |
collection | DOAJ |
description | James Sallis’s Death Will Have Your Eyes (1997), Drive (2005), and Driven (2012) comprise a triad of neo-noir narratives that exploit but also undercut the American archetype of the open road as a mythic space of possibility. Like picaresque antiheroes, the protagonists of these minimalist novels find themselves caught up in webs of suspicion and pursuit that they can evade only by recourse to perpetual movement. In the course of their peripatetic journeys the main characters find temporary escape from victimization, but ultimately they know only the grey and depleted horizons of landscapes already traversed. In this regard Sallis’s neo-noir fiction reveals an affinity to Cormac McCarthy’s The Road (2006). |
format | Article |
id | doaj-art-ecee4373ee2a4153b04fca1e340cbf6b |
institution | Kabale University |
issn | 1991-9336 |
language | English |
publishDate | 2024-06-01 |
publisher | European Association for American Studies |
record_format | Article |
series | European Journal of American Studies |
spelling | doaj-art-ecee4373ee2a4153b04fca1e340cbf6b2025-01-06T09:08:16ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362024-06-01192On the Road Again: James Sallis’s Neo-Noir FictionRobert Lance SnyderJames Sallis’s Death Will Have Your Eyes (1997), Drive (2005), and Driven (2012) comprise a triad of neo-noir narratives that exploit but also undercut the American archetype of the open road as a mythic space of possibility. Like picaresque antiheroes, the protagonists of these minimalist novels find themselves caught up in webs of suspicion and pursuit that they can evade only by recourse to perpetual movement. In the course of their peripatetic journeys the main characters find temporary escape from victimization, but ultimately they know only the grey and depleted horizons of landscapes already traversed. In this regard Sallis’s neo-noir fiction reveals an affinity to Cormac McCarthy’s The Road (2006).https://journals.openedition.org/ejas/22002road narrativesneo-noir fictionpicaresque antiheroesJames SallisDeath Will Have Your EyesDrive |
spellingShingle | Robert Lance Snyder On the Road Again: James Sallis’s Neo-Noir Fiction European Journal of American Studies road narratives neo-noir fiction picaresque antiheroes James Sallis Death Will Have Your Eyes Drive |
title | On the Road Again: James Sallis’s Neo-Noir Fiction |
title_full | On the Road Again: James Sallis’s Neo-Noir Fiction |
title_fullStr | On the Road Again: James Sallis’s Neo-Noir Fiction |
title_full_unstemmed | On the Road Again: James Sallis’s Neo-Noir Fiction |
title_short | On the Road Again: James Sallis’s Neo-Noir Fiction |
title_sort | on the road again james sallis s neo noir fiction |
topic | road narratives neo-noir fiction picaresque antiheroes James Sallis Death Will Have Your Eyes Drive |
url | https://journals.openedition.org/ejas/22002 |
work_keys_str_mv | AT robertlancesnyder ontheroadagainjamessallissneonoirfiction |