On the Road Again: James Sallis’s Neo-Noir Fiction

James Sallis’s Death Will Have Your Eyes (1997), Drive (2005), and Driven (2012) comprise a triad of neo-noir narratives that exploit but also undercut the American archetype of the open road as a mythic space of possibility. Like picaresque antiheroes, the protagonists of these minimalist novels fi...

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Main Author: Robert Lance Snyder
Format: Article
Language:English
Published: European Association for American Studies 2024-06-01
Series:European Journal of American Studies
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Online Access:https://journals.openedition.org/ejas/22002
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author Robert Lance Snyder
author_facet Robert Lance Snyder
author_sort Robert Lance Snyder
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description James Sallis’s Death Will Have Your Eyes (1997), Drive (2005), and Driven (2012) comprise a triad of neo-noir narratives that exploit but also undercut the American archetype of the open road as a mythic space of possibility. Like picaresque antiheroes, the protagonists of these minimalist novels find themselves caught up in webs of suspicion and pursuit that they can evade only by recourse to perpetual movement. In the course of their peripatetic journeys the main characters find temporary escape from victimization, but ultimately they know only the grey and depleted horizons of landscapes already traversed. In this regard Sallis’s neo-noir fiction reveals an affinity to Cormac McCarthy’s The Road (2006).
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spelling doaj-art-ecee4373ee2a4153b04fca1e340cbf6b2025-01-06T09:08:16ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362024-06-01192On the Road Again: James Sallis’s Neo-Noir FictionRobert Lance SnyderJames Sallis’s Death Will Have Your Eyes (1997), Drive (2005), and Driven (2012) comprise a triad of neo-noir narratives that exploit but also undercut the American archetype of the open road as a mythic space of possibility. Like picaresque antiheroes, the protagonists of these minimalist novels find themselves caught up in webs of suspicion and pursuit that they can evade only by recourse to perpetual movement. In the course of their peripatetic journeys the main characters find temporary escape from victimization, but ultimately they know only the grey and depleted horizons of landscapes already traversed. In this regard Sallis’s neo-noir fiction reveals an affinity to Cormac McCarthy’s The Road (2006).https://journals.openedition.org/ejas/22002road narrativesneo-noir fictionpicaresque antiheroesJames SallisDeath Will Have Your EyesDrive
spellingShingle Robert Lance Snyder
On the Road Again: James Sallis’s Neo-Noir Fiction
European Journal of American Studies
road narratives
neo-noir fiction
picaresque antiheroes
James Sallis
Death Will Have Your Eyes
Drive
title On the Road Again: James Sallis’s Neo-Noir Fiction
title_full On the Road Again: James Sallis’s Neo-Noir Fiction
title_fullStr On the Road Again: James Sallis’s Neo-Noir Fiction
title_full_unstemmed On the Road Again: James Sallis’s Neo-Noir Fiction
title_short On the Road Again: James Sallis’s Neo-Noir Fiction
title_sort on the road again james sallis s neo noir fiction
topic road narratives
neo-noir fiction
picaresque antiheroes
James Sallis
Death Will Have Your Eyes
Drive
url https://journals.openedition.org/ejas/22002
work_keys_str_mv AT robertlancesnyder ontheroadagainjamessallissneonoirfiction