Agonie, perte ou renouveau d’une esthétique oubanguienne ?
André Gide and Marc Allégret witnessed a ganza initiation dance of the Banda of Oubangui-Chari in Bambari in 1925. While Allégret filmed the spectacle, Gide jotted down a few pages expressing disappointment at the performance organized for Whites passing through. But the French writer and, for diffe...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2018-12-01
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| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | https://journals.openedition.org/imagesrevues/5119 |
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