« L’infamille ». Les violences familiales sur la céramique classique entre monstration et occultation
Kinship ties are not easy to find on Greek vases. Only a mythological and often conflictual background, known by both the artist and the public, could provide clues to identify family members. Infanticide is particularly depicted and the violent and conscious mothers, as Medea, Prokne or Clytemnestr...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2011-11-01
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| Series: | Images Re-Vues |
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| Online Access: | https://journals.openedition.org/imagesrevues/1606 |
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| _version_ | 1846131212149587968 |
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| author | Aurélie Damet |
| author_facet | Aurélie Damet |
| author_sort | Aurélie Damet |
| collection | DOAJ |
| description | Kinship ties are not easy to find on Greek vases. Only a mythological and often conflictual background, known by both the artist and the public, could provide clues to identify family members. Infanticide is particularly depicted and the violent and conscious mothers, as Medea, Prokne or Clytemnestra, are recurrent actors. Fathers could also kill their offspring but they appear in a menadic way, struck by madness sent by Dionysos (Herakles, Lycourgos). One must notice the rarity of the parricide and matricide as pictural motifs. Artists use two technical ways to show family conflicts on their productions. Medea is representative of the bloody and violent option. The subtle way is embodied by Alcmeon’s myth. |
| format | Article |
| id | doaj-art-e1a82d678d7249f0a3d1108298795b55 |
| institution | Kabale University |
| issn | 1778-3801 |
| language | fra |
| publishDate | 2011-11-01 |
| publisher | Centre d´Histoire et Théorie des Arts |
| record_format | Article |
| series | Images Re-Vues |
| spelling | doaj-art-e1a82d678d7249f0a3d1108298795b552024-12-09T15:51:03ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012011-11-01910.4000/imagesrevues.1606« L’infamille ». Les violences familiales sur la céramique classique entre monstration et occultationAurélie DametKinship ties are not easy to find on Greek vases. Only a mythological and often conflictual background, known by both the artist and the public, could provide clues to identify family members. Infanticide is particularly depicted and the violent and conscious mothers, as Medea, Prokne or Clytemnestra, are recurrent actors. Fathers could also kill their offspring but they appear in a menadic way, struck by madness sent by Dionysos (Herakles, Lycourgos). One must notice the rarity of the parricide and matricide as pictural motifs. Artists use two technical ways to show family conflicts on their productions. Medea is representative of the bloody and violent option. The subtle way is embodied by Alcmeon’s myth.https://journals.openedition.org/imagesrevues/1606kinshipGreek vasesviolencetragedymyth |
| spellingShingle | Aurélie Damet « L’infamille ». Les violences familiales sur la céramique classique entre monstration et occultation Images Re-Vues kinship Greek vases violence tragedy myth |
| title | « L’infamille ». Les violences familiales sur la céramique classique entre monstration et occultation |
| title_full | « L’infamille ». Les violences familiales sur la céramique classique entre monstration et occultation |
| title_fullStr | « L’infamille ». Les violences familiales sur la céramique classique entre monstration et occultation |
| title_full_unstemmed | « L’infamille ». Les violences familiales sur la céramique classique entre monstration et occultation |
| title_short | « L’infamille ». Les violences familiales sur la céramique classique entre monstration et occultation |
| title_sort | l infamille les violences familiales sur la ceramique classique entre monstration et occultation |
| topic | kinship Greek vases violence tragedy myth |
| url | https://journals.openedition.org/imagesrevues/1606 |
| work_keys_str_mv | AT aureliedamet linfamillelesviolencesfamilialessurlaceramiqueclassiqueentremonstrationetoccultation |