Queering Socialist Realism: Serhii Parajanov’s Early Ukrainian Films and his Transition to Poetic Cinema
The article argues that Serhii Parajanov’s lesser-known early Ukrainian films, created within the constraints of socialist realism, subtly challenged Soviet normativity, including heteronormativity. These works are characterized as a “double failure” — both artistic and ideological — as they reveal...
Saved in:
| Main Author: | Olga Briukhovetska |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
National University of Kyiv-Mohyla Academy
2025-07-01
|
| Series: | Наукові записки Наукма: Історія і теорія культури |
| Subjects: | |
| Online Access: | http://nrpcult.ukma.edu.ua/article/view/335046 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Hearing queer temporalities: The audiovisual disjunction in Blue (1993) and The Terence Davies Trilogy (1983)
by: Breno Mota Alvarenga
Published: (2024-12-01) -
Specifics of Bildungsroman Structure in Protocanon Phase of Socialist Realism
by: O. Yu. Osmukhina, et al.
Published: (2024-03-01) -
Through Space and Time - Review of The Odyssey of Communism: Visual Narratives, Memory and Culture edited by Michaela Praisler and Oana-Celia Gheorghiu, Cambridge Scholars Publishing, 2021
by: Isabel Galwey
Published: (2023-01-01) -
Queer and Asian: Redefining Chinese American Masculinity in The Wedding Banquet (Ang Lee, 1993) and Red Doors (Georgia Lee, 2006)
by: Juliette Ledru
Published: (2019-12-01) -
Ficção do horror e a alegoria do monstruoso: interfaces entre psicanálise e estudos queer
by: Lucas Dourado Leão
Published: (2025-05-01)