"The Tube is Flickering Now": Aesthetics of Authenticity in Good Night, and Good Luck

The article examines the Clooney/Heslov/Soderbergh production Good Night, and Good Luck“ (2005). Its unusual visual style (cinematography, mise-en-scène, etc.) enables an immediate aesthetic viewing experience of Cold War America. Drawing on Fluck's discussion about aesthetics and its socio-cul...

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Bibliographic Details
Main Author: Sina Nitzsche
Format: Article
Language:English
Published: Regensburg: Current objectives in postgraduate American studies c/o Universität Regensburg/Institut für Anglistik und Amerikanistik 2012-03-01
Series:Current Objectives of Postgraduate American Studies
Online Access:https://copas.uni-regensburg.de/index.php/copas/article/view/98
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