La nature morte ou : Quand l’art « objecte »
By analysing Gabriel Josipovici’s novel, Goldberg: Variations, this paper investigates the validity of a new critical perspective, namely that of applying pictorial language to the analysis of literary texts. The investigation draws on a number of critics, E. M. Forster among them, who have acknowle...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
2014-05-01
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| Series: | Revue LISA |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lisa/5825 |
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| Summary: | By analysing Gabriel Josipovici’s novel, Goldberg: Variations, this paper investigates the validity of a new critical perspective, namely that of applying pictorial language to the analysis of literary texts. The investigation draws on a number of critics, E. M. Forster among them, who have acknowledged the need to borrow terms from other arts to be able to “describe” certain aspects of a literary text when literary criticism is found lacking. |
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| ISSN: | 1762-6153 |