Un nuevo objeto. La literatura en la época de la inespecificidad del cine
After having found in literature a narrative source and an aesthetic legitimation, the cinema of the sixties consecrated its autonomy by assuming the notions of author and writing. From the nineties onwards, cinema began to lose its specificity; its relations with literature ceased to be homogeneous...
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| Format: | Article |
| Language: | Spanish |
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Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2024-12-01
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| Series: | Cuadernos LIRICO |
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| Online Access: | https://journals.openedition.org/lirico/17118 |
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| _version_ | 1849219718664159232 |
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| author | Emilio Bernini |
| author_facet | Emilio Bernini |
| author_sort | Emilio Bernini |
| collection | DOAJ |
| description | After having found in literature a narrative source and an aesthetic legitimation, the cinema of the sixties consecrated its autonomy by assuming the notions of author and writing. From the nineties onwards, cinema began to lose its specificity; its relations with literature ceased to be homogeneous. A new object appears with the study of the poetics of Gustavo Fontán, who gives a tactile dimension to vision, and of Albertina Carri, who finds in words ways of diminishing the prepotence of images. From their diversity, both reveal today the lack of specificity of cinema in its relations with other arts, including literature. |
| format | Article |
| id | doaj-art-d8b97ff3c7f44bf89ba3f0bdf4d0a042 |
| institution | Kabale University |
| issn | 2262-8339 |
| language | Spanish |
| publishDate | 2024-12-01 |
| publisher | Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata |
| record_format | Article |
| series | Cuadernos LIRICO |
| spelling | doaj-art-d8b97ff3c7f44bf89ba3f0bdf4d0a0422025-01-10T13:08:41ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392024-12-012810.4000/130hwUn nuevo objeto. La literatura en la época de la inespecificidad del cineEmilio BerniniAfter having found in literature a narrative source and an aesthetic legitimation, the cinema of the sixties consecrated its autonomy by assuming the notions of author and writing. From the nineties onwards, cinema began to lose its specificity; its relations with literature ceased to be homogeneous. A new object appears with the study of the poetics of Gustavo Fontán, who gives a tactile dimension to vision, and of Albertina Carri, who finds in words ways of diminishing the prepotence of images. From their diversity, both reveal today the lack of specificity of cinema in its relations with other arts, including literature.https://journals.openedition.org/lirico/17118literaturecinemaNon-specificityGustavo FontánAlbertina Carri |
| spellingShingle | Emilio Bernini Un nuevo objeto. La literatura en la época de la inespecificidad del cine Cuadernos LIRICO literature cinema Non-specificity Gustavo Fontán Albertina Carri |
| title | Un nuevo objeto. La literatura en la época de la inespecificidad del cine |
| title_full | Un nuevo objeto. La literatura en la época de la inespecificidad del cine |
| title_fullStr | Un nuevo objeto. La literatura en la época de la inespecificidad del cine |
| title_full_unstemmed | Un nuevo objeto. La literatura en la época de la inespecificidad del cine |
| title_short | Un nuevo objeto. La literatura en la época de la inespecificidad del cine |
| title_sort | un nuevo objeto la literatura en la epoca de la inespecificidad del cine |
| topic | literature cinema Non-specificity Gustavo Fontán Albertina Carri |
| url | https://journals.openedition.org/lirico/17118 |
| work_keys_str_mv | AT emiliobernini unnuevoobjetolaliteraturaenlaepocadelainespecificidaddelcine |