In the Shadow of the “Indeterminate Speech-Act”: The Populist Politics of Rumor in Fritz Lang’s Early Sound Films

Based on Gilles Deleuze’s claim that rumor has been a “cinematographically privileged object” in early sound cinema, this essay will provide a political analysis of the representation of rumor in two early sound films in the transnational oeuvre of Fritz Lang. This interpretation of M―Eine Stadt suc...

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Main Author: Florian Zappe
Format: Article
Language:English
Published: European Association for American Studies 2020-12-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/16481
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author Florian Zappe
author_facet Florian Zappe
author_sort Florian Zappe
collection DOAJ
description Based on Gilles Deleuze’s claim that rumor has been a “cinematographically privileged object” in early sound cinema, this essay will provide a political analysis of the representation of rumor in two early sound films in the transnational oeuvre of Fritz Lang. This interpretation of M―Eine Stadt sucht einen Mörder (Germany, 1931) and Lang’s first Hollywood production Fury (USA, 1936) will show that the shift from silent to sound cinema marks not only an aesthetic and technological innovation, but also coincides with an increased political awareness in the director’s oeuvre. While his films of the silent era remain politically ambiguous and have often been accused of foreshadowing fascist themes and aesthetics, the sound films produced shortly before and after Lang’s emigration to the United States take a clear political stand with regards to the toxic effects of rumors as expressions of populist sentiments and, in this, provide a gateway to the director’s integration into American liberalism.
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spelling doaj-art-d411ac50ffbe47aabec84454465995cf2025-01-06T09:08:32ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362020-12-0115410.4000/ejas.16481In the Shadow of the “Indeterminate Speech-Act”: The Populist Politics of Rumor in Fritz Lang’s Early Sound FilmsFlorian ZappeBased on Gilles Deleuze’s claim that rumor has been a “cinematographically privileged object” in early sound cinema, this essay will provide a political analysis of the representation of rumor in two early sound films in the transnational oeuvre of Fritz Lang. This interpretation of M―Eine Stadt sucht einen Mörder (Germany, 1931) and Lang’s first Hollywood production Fury (USA, 1936) will show that the shift from silent to sound cinema marks not only an aesthetic and technological innovation, but also coincides with an increased political awareness in the director’s oeuvre. While his films of the silent era remain politically ambiguous and have often been accused of foreshadowing fascist themes and aesthetics, the sound films produced shortly before and after Lang’s emigration to the United States take a clear political stand with regards to the toxic effects of rumors as expressions of populist sentiments and, in this, provide a gateway to the director’s integration into American liberalism.https://journals.openedition.org/ejas/16481Gilles DeleuzepopulismFritz Langrumorliberalismfilm history
spellingShingle Florian Zappe
In the Shadow of the “Indeterminate Speech-Act”: The Populist Politics of Rumor in Fritz Lang’s Early Sound Films
European Journal of American Studies
Gilles Deleuze
populism
Fritz Lang
rumor
liberalism
film history
title In the Shadow of the “Indeterminate Speech-Act”: The Populist Politics of Rumor in Fritz Lang’s Early Sound Films
title_full In the Shadow of the “Indeterminate Speech-Act”: The Populist Politics of Rumor in Fritz Lang’s Early Sound Films
title_fullStr In the Shadow of the “Indeterminate Speech-Act”: The Populist Politics of Rumor in Fritz Lang’s Early Sound Films
title_full_unstemmed In the Shadow of the “Indeterminate Speech-Act”: The Populist Politics of Rumor in Fritz Lang’s Early Sound Films
title_short In the Shadow of the “Indeterminate Speech-Act”: The Populist Politics of Rumor in Fritz Lang’s Early Sound Films
title_sort in the shadow of the indeterminate speech act the populist politics of rumor in fritz lang s early sound films
topic Gilles Deleuze
populism
Fritz Lang
rumor
liberalism
film history
url https://journals.openedition.org/ejas/16481
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