The Brick Wall in Andrzej Wróblewski’s ”Execution against a Wall” and Jean-Paul Sartre’s ”Le Mur”: An Intertextual Relation

In 1949, Andrzej Wróblewski (1927–1957) created eight paintings entitled ”Executions”. They were an attempt to develop a new language for art, which was facing a crisis of representation after the horrors of the war. This article takes on the task of an analysis and interpretation of Wróblewski’s ”E...

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Main Author: Magdalena Gemra
Format: Article
Language:English
Published: Academy of Fine Arts in Warsaw 2019-01-01
Series:Miejsce
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Online Access:https://miejsce.asp.waw.pl/en/ceglany-mur-w-rozstrzelaniu-na-scianie-andrzeja-wroblewskiego-i-le-mur-jeana-paula-sartrea-relacja-intertekstualna/
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author Magdalena Gemra
author_facet Magdalena Gemra
author_sort Magdalena Gemra
collection DOAJ
description In 1949, Andrzej Wróblewski (1927–1957) created eight paintings entitled ”Executions”. They were an attempt to develop a new language for art, which was facing a crisis of representation after the horrors of the war. This article takes on the task of an analysis and interpretation of Wróblewski’s ”Execution against a Wall”, a painting that has largely been overlooked and disregarded as conventional. In ”Execution against a Wall”, the wall limits the field of vision while forcing the viewer to engage in the performance, creating an arena or stage. I discuss the many visual sources that also depict executions set against the background of a wall. Iconic depictions by Goya, Manet, and Picasso were fundamental for works from the 1930s, 1940s, and 1950s. I also discuss how brick walls take on various functions in different depictions, constructing the composition and the semantic field of the painting whilst underlining the specificity of the painting as a medium and the two-dimensionality of the canvas. My intertextual interpretation of ”Execution against a Wall” is based on parallels between Jean-Paul Sartre’s short story ”Le Mur” and Wróblewski’s painting. In the case of Wróblewski’s work we are confronted with a representation of two people who, in the face of looming death, start to resemble each other. Any individual qualities disappear and differences are abolished, yet death does not unite them.
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spelling doaj-art-cfd44ceca0a14abd99d41f62e3de840a2025-08-23T21:34:52ZengAcademy of Fine Arts in WarsawMiejsce2956-41582019-01-01510.48285/8kaepzco3pThe Brick Wall in Andrzej Wróblewski’s ”Execution against a Wall” and Jean-Paul Sartre’s ”Le Mur”: An Intertextual RelationMagdalena Gemrahttps://orcid.org/0000-0002-8495-1609In 1949, Andrzej Wróblewski (1927–1957) created eight paintings entitled ”Executions”. They were an attempt to develop a new language for art, which was facing a crisis of representation after the horrors of the war. This article takes on the task of an analysis and interpretation of Wróblewski’s ”Execution against a Wall”, a painting that has largely been overlooked and disregarded as conventional. In ”Execution against a Wall”, the wall limits the field of vision while forcing the viewer to engage in the performance, creating an arena or stage. I discuss the many visual sources that also depict executions set against the background of a wall. Iconic depictions by Goya, Manet, and Picasso were fundamental for works from the 1930s, 1940s, and 1950s. I also discuss how brick walls take on various functions in different depictions, constructing the composition and the semantic field of the painting whilst underlining the specificity of the painting as a medium and the two-dimensionality of the canvas. My intertextual interpretation of ”Execution against a Wall” is based on parallels between Jean-Paul Sartre’s short story ”Le Mur” and Wróblewski’s painting. In the case of Wróblewski’s work we are confronted with a representation of two people who, in the face of looming death, start to resemble each other. Any individual qualities disappear and differences are abolished, yet death does not unite them. https://miejsce.asp.waw.pl/en/ceglany-mur-w-rozstrzelaniu-na-scianie-andrzeja-wroblewskiego-i-le-mur-jeana-paula-sartrea-relacja-intertekstualna/magdalena gemrajean-paul sartrele murandrzej wróblewskiexecutions
spellingShingle Magdalena Gemra
The Brick Wall in Andrzej Wróblewski’s ”Execution against a Wall” and Jean-Paul Sartre’s ”Le Mur”: An Intertextual Relation
Miejsce
magdalena gemra
jean-paul sartre
le mur
andrzej wróblewski
executions
title The Brick Wall in Andrzej Wróblewski’s ”Execution against a Wall” and Jean-Paul Sartre’s ”Le Mur”: An Intertextual Relation
title_full The Brick Wall in Andrzej Wróblewski’s ”Execution against a Wall” and Jean-Paul Sartre’s ”Le Mur”: An Intertextual Relation
title_fullStr The Brick Wall in Andrzej Wróblewski’s ”Execution against a Wall” and Jean-Paul Sartre’s ”Le Mur”: An Intertextual Relation
title_full_unstemmed The Brick Wall in Andrzej Wróblewski’s ”Execution against a Wall” and Jean-Paul Sartre’s ”Le Mur”: An Intertextual Relation
title_short The Brick Wall in Andrzej Wróblewski’s ”Execution against a Wall” and Jean-Paul Sartre’s ”Le Mur”: An Intertextual Relation
title_sort brick wall in andrzej wroblewski s execution against a wall and jean paul sartre s le mur an intertextual relation
topic magdalena gemra
jean-paul sartre
le mur
andrzej wróblewski
executions
url https://miejsce.asp.waw.pl/en/ceglany-mur-w-rozstrzelaniu-na-scianie-andrzeja-wroblewskiego-i-le-mur-jeana-paula-sartrea-relacja-intertekstualna/
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