Walter Pater et le paradoxe de l’idéal grec incarné par la sculpture
Walter Pater, from his essay « Winckelmann » (1867) onwards, asserted that Greece was the quintessence of culture (echoing here Matthew Arnold’s theories) as well as a model to be imitated. Pater, who was strongly influenced by the aesthetic writings of Hegel and Winckelmann, considered that the Gre...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2004-04-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/16637 |
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