Fragments d’origine incertaine qui crépitent dans votre tête
This essay reflects on the use of a pseudonym by female authors whose work and relationship with the media express a resistance to the obligation to appear publicly. Elena Ferrante and Nelly Arcan play on the border between fiction and autobiography in order to escape their readers as well as critic...
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| Format: | Article |
| Language: | fra |
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Université de Liège
2018-04-01
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| Series: | Contextes |
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| Online Access: | https://journals.openedition.org/contextes/6449 |
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| _version_ | 1841548091703951360 |
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| author | Martine Delvaux |
| author_facet | Martine Delvaux |
| author_sort | Martine Delvaux |
| collection | DOAJ |
| description | This essay reflects on the use of a pseudonym by female authors whose work and relationship with the media express a resistance to the obligation to appear publicly. Elena Ferrante and Nelly Arcan play on the border between fiction and autobiography in order to escape their readers as well as critics and journalists. They stage an aesthetic and political “death of the author” that is a resistance against the tendency to objectify and consume female authors. |
| format | Article |
| id | doaj-art-c73f99b3fc3d41a6a54dc89109a7f17d |
| institution | Kabale University |
| issn | 1783-094X |
| language | fra |
| publishDate | 2018-04-01 |
| publisher | Université de Liège |
| record_format | Article |
| series | Contextes |
| spelling | doaj-art-c73f99b3fc3d41a6a54dc89109a7f17d2025-01-10T14:14:23ZfraUniversité de LiègeContextes1783-094X2018-04-012010.4000/contextes.6449Fragments d’origine incertaine qui crépitent dans votre têteMartine DelvauxThis essay reflects on the use of a pseudonym by female authors whose work and relationship with the media express a resistance to the obligation to appear publicly. Elena Ferrante and Nelly Arcan play on the border between fiction and autobiography in order to escape their readers as well as critics and journalists. They stage an aesthetic and political “death of the author” that is a resistance against the tendency to objectify and consume female authors.https://journals.openedition.org/contextes/6449AutobiographieFemme de lettresÉcriture personnellePseudonymeArcan (Nelly)Ferrante (Elena) |
| spellingShingle | Martine Delvaux Fragments d’origine incertaine qui crépitent dans votre tête Contextes Autobiographie Femme de lettres Écriture personnelle Pseudonyme Arcan (Nelly) Ferrante (Elena) |
| title | Fragments d’origine incertaine qui crépitent dans votre tête |
| title_full | Fragments d’origine incertaine qui crépitent dans votre tête |
| title_fullStr | Fragments d’origine incertaine qui crépitent dans votre tête |
| title_full_unstemmed | Fragments d’origine incertaine qui crépitent dans votre tête |
| title_short | Fragments d’origine incertaine qui crépitent dans votre tête |
| title_sort | fragments d origine incertaine qui crepitent dans votre tete |
| topic | Autobiographie Femme de lettres Écriture personnelle Pseudonyme Arcan (Nelly) Ferrante (Elena) |
| url | https://journals.openedition.org/contextes/6449 |
| work_keys_str_mv | AT martinedelvaux fragmentsdorigineincertainequicrepitentdansvotretete |