L’histoire photographique de l’Amérique selon Robert Taft (Photography and the American Scene, 1938)
This article examines the meanings and uses of “social history” and “historical value” in Robert Taft’s Photography and the American Scene, A Social History 1839-1889 (1938), a classic text still received as a major reference on 19th-century American photography and yet rarely questioned in its own...
Saved in:
Main Author: | François BRUNET |
---|---|
Format: | Article |
Language: | English |
Published: |
Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2011-06-01
|
Series: | E-REA |
Subjects: | |
Online Access: | https://journals.openedition.org/erea/1777 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Is Every Theory about Photography a Critical Action? Looking at the Book “Photography: A Critical Introduction”
by: Mohammad Khodadadi Motarjemzadeh
Published: (2020-04-01) -
L’Amérique… selon Marx
by: Vincent Bontems
Published: (2008-07-01) -
Raconter l’Amérique pendant l’ère progressiste : photographies documentaires et films muets
by: Clémentine Tholas-Disset
Published: (2015-03-01) -
Serial Production, Serial Photography, and the Writing of History in Three Farmers on Their Way to a Dance
by: Flora Valadié
Published: (2010-02-01) -
Transmettre l’histoire de l’Afrique
by: Bertrand Hirsch
Published: (2015-07-01)