“There is a community of mind in it”: Quoting Shakespeare in the Eighteenth Century
This piece argues that quoting from literary works written in English became a habit only in the second half of the eighteenth century. The acceptance and celebration of a vernacular canon of English Literature, with Shakespeare’s drama at its heart, gave rise to the art and pleasure of quoting Shak...
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| Format: | Article |
| Language: | English |
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Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles
2024-12-01
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| Series: | XVII-XVIII |
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| Online Access: | https://journals.openedition.org/1718/13655 |
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| author | John Mullan |
| author_facet | John Mullan |
| author_sort | John Mullan |
| collection | DOAJ |
| description | This piece argues that quoting from literary works written in English became a habit only in the second half of the eighteenth century. The acceptance and celebration of a vernacular canon of English Literature, with Shakespeare’s drama at its heart, gave rise to the art and pleasure of quoting Shakespeare. Shakespeare came to live in common usage through anthologies of ‘beauties’, and especially through the presence of his work in Johnson’s dictionary. Snatches from his plays also became important in eighteenth-century novels, particularly in Sterne’s Tristram Shandy, which relies on a reader’s knowledge of Shakespeare’s text. |
| format | Article |
| id | doaj-art-c34260223e8c4cfdb409908c13e2a568 |
| institution | Kabale University |
| issn | 0291-3798 2117-590X |
| language | English |
| publishDate | 2024-12-01 |
| publisher | Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles |
| record_format | Article |
| series | XVII-XVIII |
| spelling | doaj-art-c34260223e8c4cfdb409908c13e2a5682025-01-10T14:08:58ZengSociété d'Etudes Anglo-Américaines des XVIIe et XVIIIe sièclesXVII-XVIII0291-37982117-590X2024-12-018110.4000/130qb“There is a community of mind in it”: Quoting Shakespeare in the Eighteenth CenturyJohn MullanThis piece argues that quoting from literary works written in English became a habit only in the second half of the eighteenth century. The acceptance and celebration of a vernacular canon of English Literature, with Shakespeare’s drama at its heart, gave rise to the art and pleasure of quoting Shakespeare. Shakespeare came to live in common usage through anthologies of ‘beauties’, and especially through the presence of his work in Johnson’s dictionary. Snatches from his plays also became important in eighteenth-century novels, particularly in Sterne’s Tristram Shandy, which relies on a reader’s knowledge of Shakespeare’s text.https://journals.openedition.org/1718/13655ShakespearequotingJohnsonSterneeighteenth-century fiction |
| spellingShingle | John Mullan “There is a community of mind in it”: Quoting Shakespeare in the Eighteenth Century XVII-XVIII Shakespeare quoting Johnson Sterne eighteenth-century fiction |
| title | “There is a community of mind in it”: Quoting Shakespeare in the Eighteenth Century |
| title_full | “There is a community of mind in it”: Quoting Shakespeare in the Eighteenth Century |
| title_fullStr | “There is a community of mind in it”: Quoting Shakespeare in the Eighteenth Century |
| title_full_unstemmed | “There is a community of mind in it”: Quoting Shakespeare in the Eighteenth Century |
| title_short | “There is a community of mind in it”: Quoting Shakespeare in the Eighteenth Century |
| title_sort | there is a community of mind in it quoting shakespeare in the eighteenth century |
| topic | Shakespeare quoting Johnson Sterne eighteenth-century fiction |
| url | https://journals.openedition.org/1718/13655 |
| work_keys_str_mv | AT johnmullan thereisacommunityofmindinitquotingshakespeareintheeighteenthcentury |