Hybridité ou Dissonance ? Quelques réflexions épistémologiques et méthodologiques sur la réception du Festival du Film Tunisien à Paris
Moroccan, Algerian and Tunisian cinemas have distinct histories, approaches, aesthetics and economies. Nevertheless, the films from these countries that arrive in France and/or Europe (only a small fraction of the national productions) tend to be gathered together under larger regional categories su...
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| Format: | Article |
| Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2010-04-01
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| Series: | Mise au Point |
| Subjects: | |
| Online Access: | https://journals.openedition.org/map/1169 |
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