La vue et les matériaux. Le marbre dans l’Adoration du tombeau de saint Pierre de Vérone par Pedro Berruguete

Pedro Berruguete’s late 15th-century paintings for the conventual church of Santo Tomás in Ávila, now housed in the Museo del Prado, are among the hagiographic images that can be precisely associated with a historical context and a communicative intent. The commission for the three altarpieces tha...

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Main Author: VICENT DEBIAIS
Format: Article
Language:deu
Published: Museo Nacional del Prado 2024-11-01
Series:Boletín del Museo del Prado
Subjects:
Online Access:https://www.museodelprado.es/aprende/boletin/la-vue-et-les-materiaux-le-marbre-dans-ladoration/f0272d10-4ba5-144c-cd87-70d533dd2792
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author VICENT DEBIAIS
author_facet VICENT DEBIAIS
author_sort VICENT DEBIAIS
collection DOAJ
description Pedro Berruguete’s late 15th-century paintings for the conventual church of Santo Tomás in Ávila, now housed in the Museo del Prado, are among the hagiographic images that can be precisely associated with a historical context and a communicative intent. The commission for the three altarpieces that make up the group should be seen in the context of the institutions of the Inquisition. This article focuses on analysing a detail present on the panel of the tomb of Saint Peter of Verona, namely the marble of that tomb. This anecdotal detail, seemingly insignificant in terms of the work’s iconography, in fact plays an important role in the overall pictorial discourse employed in the conventual church of Santo Tomás.
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institution Kabale University
issn 0210-8143
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language deu
publishDate 2024-11-01
publisher Museo Nacional del Prado
record_format Article
series Boletín del Museo del Prado
spelling doaj-art-bd7242c5ad8745e6aa165230bc58c0b82025-01-16T12:12:43ZdeuMuseo Nacional del PradoBoletín del Museo del Prado0210-81432952-06302024-11-01602024134142La vue et les matériaux. Le marbre dans l’Adoration du tombeau de saint Pierre de Vérone par Pedro BerrugueteVICENT DEBIAIS0https://orcid.org/0000-0002-3397-4421École des Hautes Études en Sciences SocialesPedro Berruguete’s late 15th-century paintings for the conventual church of Santo Tomás in Ávila, now housed in the Museo del Prado, are among the hagiographic images that can be precisely associated with a historical context and a communicative intent. The commission for the three altarpieces that make up the group should be seen in the context of the institutions of the Inquisition. This article focuses on analysing a detail present on the panel of the tomb of Saint Peter of Verona, namely the marble of that tomb. This anecdotal detail, seemingly insignificant in terms of the work’s iconography, in fact plays an important role in the overall pictorial discourse employed in the conventual church of Santo Tomás. https://www.museodelprado.es/aprende/boletin/la-vue-et-les-materiaux-le-marbre-dans-ladoration/f0272d10-4ba5-144c-cd87-70d533dd2792pedro berruguetemarbleabstractioniconographyhagiography
spellingShingle VICENT DEBIAIS
La vue et les matériaux. Le marbre dans l’Adoration du tombeau de saint Pierre de Vérone par Pedro Berruguete
Boletín del Museo del Prado
pedro berruguete
marble
abstraction
iconography
hagiography
title La vue et les matériaux. Le marbre dans l’Adoration du tombeau de saint Pierre de Vérone par Pedro Berruguete
title_full La vue et les matériaux. Le marbre dans l’Adoration du tombeau de saint Pierre de Vérone par Pedro Berruguete
title_fullStr La vue et les matériaux. Le marbre dans l’Adoration du tombeau de saint Pierre de Vérone par Pedro Berruguete
title_full_unstemmed La vue et les matériaux. Le marbre dans l’Adoration du tombeau de saint Pierre de Vérone par Pedro Berruguete
title_short La vue et les matériaux. Le marbre dans l’Adoration du tombeau de saint Pierre de Vérone par Pedro Berruguete
title_sort la vue et les materiaux le marbre dans l adoration du tombeau de saint pierre de verone par pedro berruguete
topic pedro berruguete
marble
abstraction
iconography
hagiography
url https://www.museodelprado.es/aprende/boletin/la-vue-et-les-materiaux-le-marbre-dans-ladoration/f0272d10-4ba5-144c-cd87-70d533dd2792
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