'Plain and Old'
This article answers a simple question: Who or what pulled the rug from underneath the demand for Dutch paintings in the second half of the seventeenth century? Previous explanations – diminished purchasing power, overproduction, depleted social distinction potential, budget and space constraints –...
Saved in:
Main Author: | Bas Spliet |
---|---|
Format: | Article |
Language: | English |
Published: |
openjournals.nl
2024-12-01
|
Series: | Tijdschrift voor Sociale en Economische Geschiedenis |
Subjects: | |
Online Access: | https://tseg.nl/article/view/18699 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
1874-1875: The Birth of a Fashion Heritage Consciousness in France
by: Maude Bass-Krueger
Published: (2024-04-01) -
Pascal LABREUCHE, Paris, capitale de la toile à peindre – XVIIIe-XIXe siècle
by: Sophie Moreaux
Published: (2011-11-01) -
Pascal LABREUCHE, Guide historique des fournisseurs de matériel pour Artistes à Paris, 1790-1960
by: Muriel Verbeeck-Boutin
Published: (2015-03-01) -
David A. Scott, Authenticity, Restoration, Forgery
by: Muriel Verbeeck-Boutin
Published: (2018-05-01) -
C. Currie, D. Allart, The Brueg(H)el Phenomenon, (…)
by: Muriel Verbeeck-Boutin
Published: (2012-11-01)