La Fable mystique : une phénoménologie de l’écriture
This article proposes a reading of The Mystic Fable as a kind of "phenomenology of the writing" which, crossing several stages, incarnating itself in several figures (to use the Hegelian expression) reaches its unique and possible absolute knowledge: a knowledge "to lose". From t...
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| Format: | Article |
| Language: | fra |
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Groupe de Recherches Interdisciplinaires sur l'Histoire du Littéraire
2018-03-01
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| Series: | Les Dossiers du GRIHL |
| Subjects: | |
| Online Access: | https://journals.openedition.org/dossiersgrihl/6817 |
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| Summary: | This article proposes a reading of The Mystic Fable as a kind of "phenomenology of the writing" which, crossing several stages, incarnating itself in several figures (to use the Hegelian expression) reaches its unique and possible absolute knowledge: a knowledge "to lose". From the collapse of the medieval world to Labadie, the space of a mystical science emerges (a "passing science"), a historical figure of modernity that finds, through writing, the means to recompose, within the space of a fiction, the fullness of the word formerly guaranteed by the voice of God. |
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| ISSN: | 1958-9247 |