Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary

Shakespeare’s Beatrice, Jane Austen’s Lizzie Bennet and Helen Fielding’s Bridget Jones are three literary incarnations of the same female comic character. They share characteristics that make them all funny for the same reasons at vastly different times. This is due to an inextricable bond between g...

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Main Author: Franziska Quabeck
Format: Article
Language:English
Published: European Association for American Studies 2024-09-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/22436
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author Franziska Quabeck
author_facet Franziska Quabeck
author_sort Franziska Quabeck
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description Shakespeare’s Beatrice, Jane Austen’s Lizzie Bennet and Helen Fielding’s Bridget Jones are three literary incarnations of the same female comic character. They share characteristics that make them all funny for the same reasons at vastly different times. This is due to an inextricable bond between gender and comedy that targets the audience’s expectations of normative femininity. The comic heroines in these three texts are all funny because they deliberately and consciously defy conventional constraints of femininity. The humor of each text results from the comic incongruity that is created by these women’s refusal to be what they ought to be and all three authors reward them for it.
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spelling doaj-art-97f3f7680d04481f89e07c1cd7b9555b2025-01-06T09:11:11ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362024-09-0119310.4000/12avgWomen in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s DiaryFranziska QuabeckShakespeare’s Beatrice, Jane Austen’s Lizzie Bennet and Helen Fielding’s Bridget Jones are three literary incarnations of the same female comic character. They share characteristics that make them all funny for the same reasons at vastly different times. This is due to an inextricable bond between gender and comedy that targets the audience’s expectations of normative femininity. The comic heroines in these three texts are all funny because they deliberately and consciously defy conventional constraints of femininity. The humor of each text results from the comic incongruity that is created by these women’s refusal to be what they ought to be and all three authors reward them for it.https://journals.openedition.org/ejas/22436femininityhumorMuch Ado About Nothing (1599)Pride and Prejudice (1813)Bridget Jones’s Diary (1996)incongruity theory
spellingShingle Franziska Quabeck
Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary
European Journal of American Studies
femininity
humor
Much Ado About Nothing (1599)
Pride and Prejudice (1813)
Bridget Jones’s Diary (1996)
incongruity theory
title Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary
title_full Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary
title_fullStr Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary
title_full_unstemmed Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary
title_short Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary
title_sort women in trouble much ado about nothing pride amp prejudice and bridget jones s diary
topic femininity
humor
Much Ado About Nothing (1599)
Pride and Prejudice (1813)
Bridget Jones’s Diary (1996)
incongruity theory
url https://journals.openedition.org/ejas/22436
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