Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary
Shakespeare’s Beatrice, Jane Austen’s Lizzie Bennet and Helen Fielding’s Bridget Jones are three literary incarnations of the same female comic character. They share characteristics that make them all funny for the same reasons at vastly different times. This is due to an inextricable bond between g...
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Language: | English |
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European Association for American Studies
2024-09-01
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Series: | European Journal of American Studies |
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Online Access: | https://journals.openedition.org/ejas/22436 |
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author | Franziska Quabeck |
author_facet | Franziska Quabeck |
author_sort | Franziska Quabeck |
collection | DOAJ |
description | Shakespeare’s Beatrice, Jane Austen’s Lizzie Bennet and Helen Fielding’s Bridget Jones are three literary incarnations of the same female comic character. They share characteristics that make them all funny for the same reasons at vastly different times. This is due to an inextricable bond between gender and comedy that targets the audience’s expectations of normative femininity. The comic heroines in these three texts are all funny because they deliberately and consciously defy conventional constraints of femininity. The humor of each text results from the comic incongruity that is created by these women’s refusal to be what they ought to be and all three authors reward them for it. |
format | Article |
id | doaj-art-97f3f7680d04481f89e07c1cd7b9555b |
institution | Kabale University |
issn | 1991-9336 |
language | English |
publishDate | 2024-09-01 |
publisher | European Association for American Studies |
record_format | Article |
series | European Journal of American Studies |
spelling | doaj-art-97f3f7680d04481f89e07c1cd7b9555b2025-01-06T09:11:11ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362024-09-0119310.4000/12avgWomen in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s DiaryFranziska QuabeckShakespeare’s Beatrice, Jane Austen’s Lizzie Bennet and Helen Fielding’s Bridget Jones are three literary incarnations of the same female comic character. They share characteristics that make them all funny for the same reasons at vastly different times. This is due to an inextricable bond between gender and comedy that targets the audience’s expectations of normative femininity. The comic heroines in these three texts are all funny because they deliberately and consciously defy conventional constraints of femininity. The humor of each text results from the comic incongruity that is created by these women’s refusal to be what they ought to be and all three authors reward them for it.https://journals.openedition.org/ejas/22436femininityhumorMuch Ado About Nothing (1599)Pride and Prejudice (1813)Bridget Jones’s Diary (1996)incongruity theory |
spellingShingle | Franziska Quabeck Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary European Journal of American Studies femininity humor Much Ado About Nothing (1599) Pride and Prejudice (1813) Bridget Jones’s Diary (1996) incongruity theory |
title | Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary |
title_full | Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary |
title_fullStr | Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary |
title_full_unstemmed | Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary |
title_short | Women in Trouble: Much Ado About Nothing, Pride & Prejudice and Bridget Jones’s Diary |
title_sort | women in trouble much ado about nothing pride amp prejudice and bridget jones s diary |
topic | femininity humor Much Ado About Nothing (1599) Pride and Prejudice (1813) Bridget Jones’s Diary (1996) incongruity theory |
url | https://journals.openedition.org/ejas/22436 |
work_keys_str_mv | AT franziskaquabeck womenintroublemuchadoaboutnothingprideampprejudiceandbridgetjonessdiary |