A ‘Return’ of the Subject in Zadie Smith’s White Teeth
In postmodernist fiction, subjects are typically portrayed as fragmented. While subjective agency in postmodernism is possible, it occurs only at the price of self-fragmentation or even self-dissolution, as famously exemplified in Salman Rushdie’s Midnight“’s Children “(1981). Now, as I suggest here...
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| Format: | Article |
| Language: | English |
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Regensburg: Current objectives in postgraduate American studies c/o Universität Regensburg/Institut für Anglistik und Amerikanistik
2015-11-01
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| Series: | Current Objectives of Postgraduate American Studies |
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| Online Access: | https://copas.uni-regensburg.de/index.php/copas/article/view/244 |
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