La naissance de la justice en débat : représentations contemporaines du procès d’Oreste

Aeschylus’ Oresteia, staging the trial of Orestes by a popular court and ending with his acquittal, appears in modern times as the origin both of the theatre and of justice and democracy, after the reign of revenge. Yet to contemporary directors, representing what is traditionally interpreted as a h...

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Main Author: Claire Lechevalier
Format: Article
Language:English
Published: Criminocorpus 2013-01-01
Series:Criminocorpus
Subjects:
Online Access:https://journals.openedition.org/criminocorpus/2198
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author Claire Lechevalier
author_facet Claire Lechevalier
author_sort Claire Lechevalier
collection DOAJ
description Aeschylus’ Oresteia, staging the trial of Orestes by a popular court and ending with his acquittal, appears in modern times as the origin both of the theatre and of justice and democracy, after the reign of revenge. Yet to contemporary directors, representing what is traditionally interpreted as a happy ending, and the notion of the city’s miraculously obtained cohesion (through the intercession of Athena), raise a good many doubts and questions. Is it still possible now to adhere to the representation of a utopian, miraculously responsible democracy, but also to the very longing for justice, in a world that, after the radical fracture of Auschwitz, has gone through the upheavals that followed it? Is it still possible to represent a well-ordered world, or a civic, political and theological unit, in a universe that is reputedly split up, without moorings? The comparative analysis of French and German versions of the trial of Orestes shows how radically at variance these two interpretative traditions are.
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spelling doaj-art-93c8b1e5dca64bbaace2684d9d3956202025-01-06T09:15:50ZengCriminocorpusCriminocorpus2108-69072013-01-01210.4000/criminocorpus.2198La naissance de la justice en débat : représentations contemporaines du procès d’OresteClaire LechevalierAeschylus’ Oresteia, staging the trial of Orestes by a popular court and ending with his acquittal, appears in modern times as the origin both of the theatre and of justice and democracy, after the reign of revenge. Yet to contemporary directors, representing what is traditionally interpreted as a happy ending, and the notion of the city’s miraculously obtained cohesion (through the intercession of Athena), raise a good many doubts and questions. Is it still possible now to adhere to the representation of a utopian, miraculously responsible democracy, but also to the very longing for justice, in a world that, after the radical fracture of Auschwitz, has gone through the upheavals that followed it? Is it still possible to represent a well-ordered world, or a civic, political and theological unit, in a universe that is reputedly split up, without moorings? The comparative analysis of French and German versions of the trial of Orestes shows how radically at variance these two interpretative traditions are.https://journals.openedition.org/criminocorpus/2198trialjusticeOrestedemocracy
spellingShingle Claire Lechevalier
La naissance de la justice en débat : représentations contemporaines du procès d’Oreste
Criminocorpus
trial
justice
Oreste
democracy
title La naissance de la justice en débat : représentations contemporaines du procès d’Oreste
title_full La naissance de la justice en débat : représentations contemporaines du procès d’Oreste
title_fullStr La naissance de la justice en débat : représentations contemporaines du procès d’Oreste
title_full_unstemmed La naissance de la justice en débat : représentations contemporaines du procès d’Oreste
title_short La naissance de la justice en débat : représentations contemporaines du procès d’Oreste
title_sort la naissance de la justice en debat representations contemporaines du proces d oreste
topic trial
justice
Oreste
democracy
url https://journals.openedition.org/criminocorpus/2198
work_keys_str_mv AT clairelechevalier lanaissancedelajusticeendebatrepresentationscontemporainesduprocesdoreste