How the Other Half Dies: Narrating Identities in Shelley Jackson’s Half Life (2006)

Shelley Jackson’s first novel Half Life “(2006) creates a complex parallel world that is populated by Siamese twins who coexist with one-headed people. Using Brian McHale’s distinction of modernist and postmodernist fiction, this essay argues that the narrative strategies employed in Half Life“ conf...

Full description

Saved in:
Bibliographic Details
Main Author: Sascha Pöhlmann
Format: Article
Language:English
Published: Regensburg: Current objectives in postgraduate American studies c/o Universität Regensburg/Institut für Anglistik und Amerikanistik 2012-03-01
Series:Current Objectives of Postgraduate American Studies
Online Access:https://copas.uni-regensburg.de/index.php/copas/article/view/102
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1846166836007141376
author Sascha Pöhlmann
author_facet Sascha Pöhlmann
author_sort Sascha Pöhlmann
collection DOAJ
description Shelley Jackson’s first novel Half Life “(2006) creates a complex parallel world that is populated by Siamese twins who coexist with one-headed people. Using Brian McHale’s distinction of modernist and postmodernist fiction, this essay argues that the narrative strategies employed in Half Life“ conflate the epistemological and ontological, and thereby indicate one way of moving beyond postmodernism.
format Article
id doaj-art-899f2471333043f59d11a03fe27303ef
institution Kabale University
issn 1861-6127
language English
publishDate 2012-03-01
publisher Regensburg: Current objectives in postgraduate American studies c/o Universität Regensburg/Institut für Anglistik und Amerikanistik
record_format Article
series Current Objectives of Postgraduate American Studies
spelling doaj-art-899f2471333043f59d11a03fe27303ef2024-11-15T07:54:48ZengRegensburg: Current objectives in postgraduate American studies c/o Universität Regensburg/Institut für Anglistik und AmerikanistikCurrent Objectives of Postgraduate American Studies1861-61272012-03-01910.5283/copas.102How the Other Half Dies: Narrating Identities in Shelley Jackson’s Half Life (2006)Sascha PöhlmannShelley Jackson’s first novel Half Life “(2006) creates a complex parallel world that is populated by Siamese twins who coexist with one-headed people. Using Brian McHale’s distinction of modernist and postmodernist fiction, this essay argues that the narrative strategies employed in Half Life“ conflate the epistemological and ontological, and thereby indicate one way of moving beyond postmodernism.https://copas.uni-regensburg.de/index.php/copas/article/view/102
spellingShingle Sascha Pöhlmann
How the Other Half Dies: Narrating Identities in Shelley Jackson’s Half Life (2006)
Current Objectives of Postgraduate American Studies
title How the Other Half Dies: Narrating Identities in Shelley Jackson’s Half Life (2006)
title_full How the Other Half Dies: Narrating Identities in Shelley Jackson’s Half Life (2006)
title_fullStr How the Other Half Dies: Narrating Identities in Shelley Jackson’s Half Life (2006)
title_full_unstemmed How the Other Half Dies: Narrating Identities in Shelley Jackson’s Half Life (2006)
title_short How the Other Half Dies: Narrating Identities in Shelley Jackson’s Half Life (2006)
title_sort how the other half dies narrating identities in shelley jackson s half life 2006
url https://copas.uni-regensburg.de/index.php/copas/article/view/102
work_keys_str_mv AT saschapohlmann howtheotherhalfdiesnarratingidentitiesinshelleyjacksonshalflife2006