« Con obligo di celebrare ogn’anno messe cinquanta per l’anima mia »
In 1596, the first miracle attributed to the Madonna della Ghiara was documented in Reggio Emilia. This event sparked the proliferation of the cult of the effigy across Northern Italy, leading to the creation of numerous engravings. The transition from painting to engraving serves as a testament to...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2024-09-01
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| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | https://journals.openedition.org/imagesrevues/15507 |
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