« Une clé confectionnée sans la moindre idée de la serrure où un jour elle pourrait être introduite » : Les Fleurs du mal chez Walter Benjamin
Formulating a book project on Baudelaire, Walter Benjamin set himself the task of making the poet's imprint on the nineteenth century appear as clearly as that of “a stone that one day is rolled away from the spot on which it has rested for decades”. We will show that it was less a question of...
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| Format: | Article |
| Language: | English |
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Association Portugaise d'Etudes Françaises
2021-11-01
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| Series: | Carnets |
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| Online Access: | https://journals.openedition.org/carnets/13135 |
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