Caricatured Figure of Glutton in M. Amis’s Discourse: A Pragmatic-Semantic Perspective
This study investigates the pragmatic-semantic aspects of the hyperbolized representation (caricaturization) of gluttony within the discursive space of M. Amis’s novel “Money: A Suicide Note.” It analyzes both direct nominations and metaphorically reinterpreted linguistic resources that contribute t...
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| Main Authors: | , , |
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| Format: | Article |
| Language: | Russian |
| Published: |
Tsentr nauchnykh i obrazovatelnykh proektov
2025-02-01
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| Series: | Научный диалог |
| Subjects: | |
| Online Access: | https://www.nauka-dialog.ru/jour/article/view/6021 |
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| Summary: | This study investigates the pragmatic-semantic aspects of the hyperbolized representation (caricaturization) of gluttony within the discursive space of M. Amis’s novel “Money: A Suicide Note.” It analyzes both direct nominations and metaphorically reinterpreted linguistic resources that contribute to the creation of a parodic image of the fat man and glutton at the sentence level and within a broader intratextual context. The underlying mechanisms that construct a typified situation of gluttony and its consequences are unveiled. The use of cognitive dissonance is characterized as a device that aids in shaping the comic figure of the protagonist in the novel. The author emphasizes Amis’s iterative approach to constructing a caricatured archetypal image of the hedonist and glutton through a variety of lexico-semantic, stylistic, and contextually-cognitive tools, noting their high discursive density. Cognitive-linguistic mechanisms for representing the theme of gluttony in a caricatural and hyperbolized manner are identified. The findings open new horizons for exploring pragmatic-semantic resources and the cognitive-discursive potential of verbal manifestations of the contemporary issue of selfish lifestyles. The connotative and emotive multidimensionality of the caricatured verbal image is defined. |
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| ISSN: | 2225-756X 2227-1295 |