Prisonniers du Soleil. La part maudite de la modernité
Guillaume Désanges, art curator, is asked by Thomas Golsenne, art historian, to explain his understanding of ornament as modernism “dark side” and its analytical use by contemporary artists as Corey McCorkle or Isabelle Cornaro. A matter that he freely processed with his 2010 exhibition at Le Platea...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
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| Series: | Images Re-Vues |
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| Online Access: | https://journals.openedition.org/imagesrevues/2271 |
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| _version_ | 1846131187802701824 |
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| author | Guillaume Désanges Thomas Golsenne |
| author_facet | Guillaume Désanges Thomas Golsenne |
| author_sort | Guillaume Désanges |
| collection | DOAJ |
| description | Guillaume Désanges, art curator, is asked by Thomas Golsenne, art historian, to explain his understanding of ornament as modernism “dark side” and its analytical use by contemporary artists as Corey McCorkle or Isabelle Cornaro. A matter that he freely processed with his 2010 exhibition at Le Plateau in Paris, Prisonniers du soleil (Prisoners of the sun). Along this way, ornament appears to be central in a network of problems at stakes with some larger historical, epistemological, political and moral questions. |
| format | Article |
| id | doaj-art-7b96c66c6baa4e0a8fffc2f3cc00dc8c |
| institution | Kabale University |
| issn | 1778-3801 |
| language | fra |
| publisher | Centre d´Histoire et Théorie des Arts |
| record_format | Article |
| series | Images Re-Vues |
| spelling | doaj-art-7b96c66c6baa4e0a8fffc2f3cc00dc8c2024-12-09T15:50:35ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38011010.4000/imagesrevues.2271Prisonniers du Soleil. La part maudite de la modernitéGuillaume DésangesThomas GolsenneGuillaume Désanges, art curator, is asked by Thomas Golsenne, art historian, to explain his understanding of ornament as modernism “dark side” and its analytical use by contemporary artists as Corey McCorkle or Isabelle Cornaro. A matter that he freely processed with his 2010 exhibition at Le Plateau in Paris, Prisonniers du soleil (Prisoners of the sun). Along this way, ornament appears to be central in a network of problems at stakes with some larger historical, epistemological, political and moral questions.https://journals.openedition.org/imagesrevues/2271Ornamentmodernitycontemporary artmodernismpostmodernismexhibition |
| spellingShingle | Guillaume Désanges Thomas Golsenne Prisonniers du Soleil. La part maudite de la modernité Images Re-Vues Ornament modernity contemporary art modernism postmodernism exhibition |
| title | Prisonniers du Soleil. La part maudite de la modernité |
| title_full | Prisonniers du Soleil. La part maudite de la modernité |
| title_fullStr | Prisonniers du Soleil. La part maudite de la modernité |
| title_full_unstemmed | Prisonniers du Soleil. La part maudite de la modernité |
| title_short | Prisonniers du Soleil. La part maudite de la modernité |
| title_sort | prisonniers du soleil la part maudite de la modernite |
| topic | Ornament modernity contemporary art modernism postmodernism exhibition |
| url | https://journals.openedition.org/imagesrevues/2271 |
| work_keys_str_mv | AT guillaumedesanges prisonniersdusoleillapartmauditedelamodernite AT thomasgolsenne prisonniersdusoleillapartmauditedelamodernite |