Prisonniers du Soleil. La part maudite de la modernité
Guillaume Désanges, art curator, is asked by Thomas Golsenne, art historian, to explain his understanding of ornament as modernism “dark side” and its analytical use by contemporary artists as Corey McCorkle or Isabelle Cornaro. A matter that he freely processed with his 2010 exhibition at Le Platea...
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| Main Authors: | , |
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| Format: | Article |
| Language: | fra |
| Published: |
Centre d´Histoire et Théorie des Arts
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| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | https://journals.openedition.org/imagesrevues/2271 |
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