Immigration, différence et intégration dans The Consul et The Saint of Bleecker Street de Gian Carlo Menotti
Composer, librettist and stage director Gian Carlo Menotti has changed the American musical theatre by accepting to face burning questions related to his times, but which are at the same time universal. In The Consul (1950), the American context of the 1950s burst onto the operatic stage. The Mc Car...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Presses universitaires de Rennes
2004-05-01
|
| Series: | Revue LISA |
| Online Access: | https://journals.openedition.org/lisa/2971 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1841558367809568768 |
|---|---|
| author | Walter Zidaric |
| author_facet | Walter Zidaric |
| author_sort | Walter Zidaric |
| collection | DOAJ |
| description | Composer, librettist and stage director Gian Carlo Menotti has changed the American musical theatre by accepting to face burning questions related to his times, but which are at the same time universal. In The Consul (1950), the American context of the 1950s burst onto the operatic stage. The Mc Carron law and MacCarthysm are reflected in this opera which is, first of all, a metaphor of the negation of liberty. In The Saint ofBleecker Street (1954), the Little Italy microcosm suggests a new reflection about questions which are related to the concept of difference and integration, connected to considerations of a metaphysical and religious nature. As metaphors of American society, these two operas finally symbolise all kinds of human multicultural societies by revealing the polysemic character of Menotti’s works. |
| format | Article |
| id | doaj-art-74138dc72325406d9225ca182a82af6b |
| institution | Kabale University |
| issn | 1762-6153 |
| language | English |
| publishDate | 2004-05-01 |
| publisher | Presses universitaires de Rennes |
| record_format | Article |
| series | Revue LISA |
| spelling | doaj-art-74138dc72325406d9225ca182a82af6b2025-01-06T09:03:58ZengPresses universitaires de RennesRevue LISA1762-61532004-05-01218820010.4000/lisa.2971Immigration, différence et intégration dans The Consul et The Saint of Bleecker Street de Gian Carlo MenottiWalter ZidaricComposer, librettist and stage director Gian Carlo Menotti has changed the American musical theatre by accepting to face burning questions related to his times, but which are at the same time universal. In The Consul (1950), the American context of the 1950s burst onto the operatic stage. The Mc Carron law and MacCarthysm are reflected in this opera which is, first of all, a metaphor of the negation of liberty. In The Saint ofBleecker Street (1954), the Little Italy microcosm suggests a new reflection about questions which are related to the concept of difference and integration, connected to considerations of a metaphysical and religious nature. As metaphors of American society, these two operas finally symbolise all kinds of human multicultural societies by revealing the polysemic character of Menotti’s works.https://journals.openedition.org/lisa/2971 |
| spellingShingle | Walter Zidaric Immigration, différence et intégration dans The Consul et The Saint of Bleecker Street de Gian Carlo Menotti Revue LISA |
| title | Immigration, différence et intégration dans The Consul et The Saint of Bleecker Street de Gian Carlo Menotti |
| title_full | Immigration, différence et intégration dans The Consul et The Saint of Bleecker Street de Gian Carlo Menotti |
| title_fullStr | Immigration, différence et intégration dans The Consul et The Saint of Bleecker Street de Gian Carlo Menotti |
| title_full_unstemmed | Immigration, différence et intégration dans The Consul et The Saint of Bleecker Street de Gian Carlo Menotti |
| title_short | Immigration, différence et intégration dans The Consul et The Saint of Bleecker Street de Gian Carlo Menotti |
| title_sort | immigration difference et integration dans the consul et the saint of bleecker street de gian carlo menotti |
| url | https://journals.openedition.org/lisa/2971 |
| work_keys_str_mv | AT walterzidaric immigrationdifferenceetintegrationdanstheconsuletthesaintofbleeckerstreetdegiancarlomenotti |