Le corps de l’écrivain, instrument et enjeu de reconnaissance
This study formulates a set of assumptions concerning the relations between literary recognition and the bodies of the writers. In a first part, a differential approach allows to make a clear distinction between the concepts of recognition, notoriety, legitimacy, legitimation, consecration, canonisa...
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| Format: | Article |
| Language: | English |
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Association Portugaise d'Etudes Françaises
2017-01-01
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| Series: | Carnets |
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| Online Access: | https://journals.openedition.org/carnets/2024 |
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| _version_ | 1846133389095075840 |
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| author | Paul Dirkx |
| author_facet | Paul Dirkx |
| author_sort | Paul Dirkx |
| collection | DOAJ |
| description | This study formulates a set of assumptions concerning the relations between literary recognition and the bodies of the writers. In a first part, a differential approach allows to make a clear distinction between the concepts of recognition, notoriety, legitimacy, legitimation, consecration, canonisation, classicisation and ‘panthéonisation’. After this necessary clarification, it will be possible to look at what seems to be the foundation of literary recognition mechanisms: literary autonomy, based on a specifically literary form of belief. This will lead to introduce the concept of incorporation and to consider writers in both their somatic and symbolic dimensions, which are inseparably linked. Finally, some assumptions will be qualified through two examples of writers who have been putting into their texts their own writer’s body: Claude Simon and Christian Dotremont. |
| format | Article |
| id | doaj-art-70f79687a2f34c6d8a1289a2da567f11 |
| institution | Kabale University |
| issn | 1646-7698 |
| language | English |
| publishDate | 2017-01-01 |
| publisher | Association Portugaise d'Etudes Françaises |
| record_format | Article |
| series | Carnets |
| spelling | doaj-art-70f79687a2f34c6d8a1289a2da567f112024-12-09T13:43:39ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982017-01-01910.4000/carnets.2024Le corps de l’écrivain, instrument et enjeu de reconnaissancePaul DirkxThis study formulates a set of assumptions concerning the relations between literary recognition and the bodies of the writers. In a first part, a differential approach allows to make a clear distinction between the concepts of recognition, notoriety, legitimacy, legitimation, consecration, canonisation, classicisation and ‘panthéonisation’. After this necessary clarification, it will be possible to look at what seems to be the foundation of literary recognition mechanisms: literary autonomy, based on a specifically literary form of belief. This will lead to introduce the concept of incorporation and to consider writers in both their somatic and symbolic dimensions, which are inseparably linked. Finally, some assumptions will be qualified through two examples of writers who have been putting into their texts their own writer’s body: Claude Simon and Christian Dotremont.https://journals.openedition.org/carnets/2024recognitionlegitimationautonomyincorporationwriter's body |
| spellingShingle | Paul Dirkx Le corps de l’écrivain, instrument et enjeu de reconnaissance Carnets recognition legitimation autonomy incorporation writer's body |
| title | Le corps de l’écrivain, instrument et enjeu de reconnaissance |
| title_full | Le corps de l’écrivain, instrument et enjeu de reconnaissance |
| title_fullStr | Le corps de l’écrivain, instrument et enjeu de reconnaissance |
| title_full_unstemmed | Le corps de l’écrivain, instrument et enjeu de reconnaissance |
| title_short | Le corps de l’écrivain, instrument et enjeu de reconnaissance |
| title_sort | le corps de l ecrivain instrument et enjeu de reconnaissance |
| topic | recognition legitimation autonomy incorporation writer's body |
| url | https://journals.openedition.org/carnets/2024 |
| work_keys_str_mv | AT pauldirkx lecorpsdelecrivaininstrumentetenjeudereconnaissance |