Músicos, productores y audiencias, cercanía desde la mediación social y tecnológica en Colombia
Music is one of the cultural and creative industries that has changed the most owing to the technologies of information and communication (ICT). News about the death of this industry, the concentration of majors, copyright problems, download platforms, different audio devices, the increase of indepe...
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| Main Authors: | , , |
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| Format: | Article |
| Language: | Spanish |
| Published: |
Groupe de Recherche Amérique Latine Histoire et Mémoire
2018-07-01
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| Series: | Les Cahiers ALHIM |
| Subjects: | |
| Online Access: | https://journals.openedition.org/alhim/6254 |
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| _version_ | 1841547203266478080 |
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| author | Sandra Velásquez Tatiana López Fabián Valverde |
| author_facet | Sandra Velásquez Tatiana López Fabián Valverde |
| author_sort | Sandra Velásquez |
| collection | DOAJ |
| description | Music is one of the cultural and creative industries that has changed the most owing to the technologies of information and communication (ICT). News about the death of this industry, the concentration of majors, copyright problems, download platforms, different audio devices, the increase of independent productions and the multinational organizations on internet, sonorities known outside their place of origin and the musicians’ new work forms without barriers of space and time, are subjects of analysis in the academia, in the media, on musicians’ encounters, and costumers’ conversations. This article, on its first part, presents a close-up to the reality of proximity among musicians, producers and audiences, resulting from the research work carried out in different pieces of work about the situation in Colombia. In the second part, it presents two cases related to the interaction using social and technological networks: the perception of El Festival de la Bandola and its impact on cultural development and also the support from cultural management in order to strengthen musicians linked with the platform Así Suena in four departments of Colombia. |
| format | Article |
| id | doaj-art-6b88af4839074e6f81fe50d25ce4dc86 |
| institution | Kabale University |
| issn | 1628-6731 1777-5175 |
| language | Spanish |
| publishDate | 2018-07-01 |
| publisher | Groupe de Recherche Amérique Latine Histoire et Mémoire |
| record_format | Article |
| series | Les Cahiers ALHIM |
| spelling | doaj-art-6b88af4839074e6f81fe50d25ce4dc862025-01-10T14:54:15ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752018-07-013510.4000/alhim.6254Músicos, productores y audiencias, cercanía desde la mediación social y tecnológica en ColombiaSandra VelásquezTatiana LópezFabián ValverdeMusic is one of the cultural and creative industries that has changed the most owing to the technologies of information and communication (ICT). News about the death of this industry, the concentration of majors, copyright problems, download platforms, different audio devices, the increase of independent productions and the multinational organizations on internet, sonorities known outside their place of origin and the musicians’ new work forms without barriers of space and time, are subjects of analysis in the academia, in the media, on musicians’ encounters, and costumers’ conversations. This article, on its first part, presents a close-up to the reality of proximity among musicians, producers and audiences, resulting from the research work carried out in different pieces of work about the situation in Colombia. In the second part, it presents two cases related to the interaction using social and technological networks: the perception of El Festival de la Bandola and its impact on cultural development and also the support from cultural management in order to strengthen musicians linked with the platform Así Suena in four departments of Colombia.https://journals.openedition.org/alhim/6254musicrecord industrysocial networksaudiencescultural consumption |
| spellingShingle | Sandra Velásquez Tatiana López Fabián Valverde Músicos, productores y audiencias, cercanía desde la mediación social y tecnológica en Colombia Les Cahiers ALHIM music record industry social networks audiences cultural consumption |
| title | Músicos, productores y audiencias, cercanía desde la mediación social y tecnológica en Colombia |
| title_full | Músicos, productores y audiencias, cercanía desde la mediación social y tecnológica en Colombia |
| title_fullStr | Músicos, productores y audiencias, cercanía desde la mediación social y tecnológica en Colombia |
| title_full_unstemmed | Músicos, productores y audiencias, cercanía desde la mediación social y tecnológica en Colombia |
| title_short | Músicos, productores y audiencias, cercanía desde la mediación social y tecnológica en Colombia |
| title_sort | musicos productores y audiencias cercania desde la mediacion social y tecnologica en colombia |
| topic | music record industry social networks audiences cultural consumption |
| url | https://journals.openedition.org/alhim/6254 |
| work_keys_str_mv | AT sandravelasquez musicosproductoresyaudienciascercaniadesdelamediacionsocialytecnologicaencolombia AT tatianalopez musicosproductoresyaudienciascercaniadesdelamediacionsocialytecnologicaencolombia AT fabianvalverde musicosproductoresyaudienciascercaniadesdelamediacionsocialytecnologicaencolombia |