Los orígenes y los días
Starting from the question that guides this Dossier, I assume the freedom of the essay and I consider studying the last book of the writer Carlos Liscano, Los orígenes, in the general context of his work, but, more strictly, of his production since 2000, which reveals the increasingly important pres...
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| Main Author: | |
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| Format: | Article |
| Language: | Spanish |
| Published: |
Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2021-03-01
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| Series: | Cuadernos LIRICO |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lirico/10689 |
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| Summary: | Starting from the question that guides this Dossier, I assume the freedom of the essay and I consider studying the last book of the writer Carlos Liscano, Los orígenes, in the general context of his work, but, more strictly, of his production since 2000, which reveals the increasingly important presence of "artist's books", drawing, painting, and comics. Liscano has created through the combination of image and word, reflection and humor, a kind of diary of his days. This work proposes reading the autobiographical story Los orígenes in counterpoint to that production. It considers the possibilities and the meaning of determining the origin and finds in this other autobiographical form a foundational desire that is not in the artist's books with which, nevertheless, it dialogues. |
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| ISSN: | 2262-8339 |