Interdire, documenter, patrimonialiser. Les chants kapiwaya sous le regard colonial et post-colonial (Nord-Ouest de l’Amazonie, de 1883 à nos jours)

This article takes a look at the history of the colonial and post-colonial gaze on the kapiwaya, a register of indigenous ritual dances and songs widespread in northwestern Amazonia. It shows that the current patrimonialisation of the kapiwaya and the relative debates are a continuation to the repre...

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Main Author: Emilio Frignati
Format: Article
Language:Spanish
Published: Presses universitaires du Midi 2024-11-01
Series:Caravelle
Subjects:
Online Access:https://journals.openedition.org/caravelle/16576
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author Emilio Frignati
author_facet Emilio Frignati
author_sort Emilio Frignati
collection DOAJ
description This article takes a look at the history of the colonial and post-colonial gaze on the kapiwaya, a register of indigenous ritual dances and songs widespread in northwestern Amazonia. It shows that the current patrimonialisation of the kapiwaya and the relative debates are a continuation to the representations and practices promoted by missionaries, soldiers and politicians since the end of the 19th century. Although these ways of giving shape to the songs and dances have in common the occultation of the indigenous point of view on the kapiwaya, they become an arena where the political recognition of indigenous peoples is played out.
format Article
id doaj-art-6651ce950d7346e89d517dbbe04baa62
institution Kabale University
issn 1147-6753
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language Spanish
publishDate 2024-11-01
publisher Presses universitaires du Midi
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spelling doaj-art-6651ce950d7346e89d517dbbe04baa622025-01-09T16:15:59ZspaPresses universitaires du MidiCaravelle1147-67532272-98282024-11-0112315316810.4000/1315iInterdire, documenter, patrimonialiser. Les chants kapiwaya sous le regard colonial et post-colonial (Nord-Ouest de l’Amazonie, de 1883 à nos jours)Emilio FrignatiThis article takes a look at the history of the colonial and post-colonial gaze on the kapiwaya, a register of indigenous ritual dances and songs widespread in northwestern Amazonia. It shows that the current patrimonialisation of the kapiwaya and the relative debates are a continuation to the representations and practices promoted by missionaries, soldiers and politicians since the end of the 19th century. Although these ways of giving shape to the songs and dances have in common the occultation of the indigenous point of view on the kapiwaya, they become an arena where the political recognition of indigenous peoples is played out.https://journals.openedition.org/caravelle/16576PoliticsAmazoniaMusicKapiwayaColonialism
spellingShingle Emilio Frignati
Interdire, documenter, patrimonialiser. Les chants kapiwaya sous le regard colonial et post-colonial (Nord-Ouest de l’Amazonie, de 1883 à nos jours)
Caravelle
Politics
Amazonia
Music
Kapiwaya
Colonialism
title Interdire, documenter, patrimonialiser. Les chants kapiwaya sous le regard colonial et post-colonial (Nord-Ouest de l’Amazonie, de 1883 à nos jours)
title_full Interdire, documenter, patrimonialiser. Les chants kapiwaya sous le regard colonial et post-colonial (Nord-Ouest de l’Amazonie, de 1883 à nos jours)
title_fullStr Interdire, documenter, patrimonialiser. Les chants kapiwaya sous le regard colonial et post-colonial (Nord-Ouest de l’Amazonie, de 1883 à nos jours)
title_full_unstemmed Interdire, documenter, patrimonialiser. Les chants kapiwaya sous le regard colonial et post-colonial (Nord-Ouest de l’Amazonie, de 1883 à nos jours)
title_short Interdire, documenter, patrimonialiser. Les chants kapiwaya sous le regard colonial et post-colonial (Nord-Ouest de l’Amazonie, de 1883 à nos jours)
title_sort interdire documenter patrimonialiser les chants kapiwaya sous le regard colonial et post colonial nord ouest de l amazonie de 1883 a nos jours
topic Politics
Amazonia
Music
Kapiwaya
Colonialism
url https://journals.openedition.org/caravelle/16576
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