Travesty of Urban Little Russia in Travelogue “Famous Drums Beyond Mountains, or My Journey Somewhere in 1810” by I. M. Dolgorukov

This study explores the representation of cities in Little Russia as depicted in I. M. Dolgorukov’s travelogue “Famous Drums Beyond the Mountains, or My Journey Somewhere in 1810” through a semiotic and imagological lens. The relevance of this research is underscored by the growing interest in Ukrai...

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Main Author: S. S. Zhdanov
Format: Article
Language:Russian
Published: Tsentr nauchnykh i obrazovatelnykh proektov 2024-11-01
Series:Научный диалог
Subjects:
Online Access:https://www.nauka-dialog.ru/jour/article/view/5876
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author S. S. Zhdanov
author_facet S. S. Zhdanov
author_sort S. S. Zhdanov
collection DOAJ
description This study explores the representation of cities in Little Russia as depicted in I. M. Dolgorukov’s travelogue “Famous Drums Beyond the Mountains, or My Journey Somewhere in 1810” through a semiotic and imagological lens. The relevance of this research is underscored by the growing interest in Ukrainian identity within contemporary literary studies, particularly concerning its spatial dimensions, which remain underexplored. Consequently, this study offers a novel analysis of the urban imagery of Little Russia, focusing on descriptions of Kharkiv, Poltava, and Kyiv. Notable trends of estrangement and travesty emerge in the portrayal of these cities, alongside recurring motifs of alienation within the Little Russian landscape and a nostalgic yearning for belonging. A significant aspect of the narrative is the history of the Dolgorukov family, intricately linked to the topos of Little Russia, particularly Kyiv, where the author’s grandmother and uncle passed away. The city’s depiction is marked by themes of allure, orderliness, grandeur, wealth, antiquity, glory, and sacredness, some of which are subject to travesty. The spaces of Kharkiv and Poltava are presented as ambivalent provincial toposes characterized by both ordered and entropic qualities. The orderliness of Kharkiv is associated with descriptions of educational loci, while the positive motifs of Poltava relate to the realm of historical memory.
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institution Kabale University
issn 2225-756X
2227-1295
language Russian
publishDate 2024-11-01
publisher Tsentr nauchnykh i obrazovatelnykh proektov
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series Научный диалог
spelling doaj-art-57c67f04eaff4e55a58dc1f0d7478cda2025-08-25T18:13:33ZrusTsentr nauchnykh i obrazovatelnykh proektovНаучный диалог2225-756X2227-12952024-11-0113923926810.24224/2227-1295-2024-13-9-239-2682878Travesty of Urban Little Russia in Travelogue “Famous Drums Beyond Mountains, or My Journey Somewhere in 1810” by I. M. DolgorukovS. S. Zhdanov0Novosibirsk State Technical UniversityThis study explores the representation of cities in Little Russia as depicted in I. M. Dolgorukov’s travelogue “Famous Drums Beyond the Mountains, or My Journey Somewhere in 1810” through a semiotic and imagological lens. The relevance of this research is underscored by the growing interest in Ukrainian identity within contemporary literary studies, particularly concerning its spatial dimensions, which remain underexplored. Consequently, this study offers a novel analysis of the urban imagery of Little Russia, focusing on descriptions of Kharkiv, Poltava, and Kyiv. Notable trends of estrangement and travesty emerge in the portrayal of these cities, alongside recurring motifs of alienation within the Little Russian landscape and a nostalgic yearning for belonging. A significant aspect of the narrative is the history of the Dolgorukov family, intricately linked to the topos of Little Russia, particularly Kyiv, where the author’s grandmother and uncle passed away. The city’s depiction is marked by themes of allure, orderliness, grandeur, wealth, antiquity, glory, and sacredness, some of which are subject to travesty. The spaces of Kharkiv and Poltava are presented as ambivalent provincial toposes characterized by both ordered and entropic qualities. The orderliness of Kharkiv is associated with descriptions of educational loci, while the positive motifs of Poltava relate to the realm of historical memory.https://www.nauka-dialog.ru/jour/article/view/5876travelogueimagologyi. m. dolgorukovrepresentation of ukraine in russian literatureimage of little russia
spellingShingle S. S. Zhdanov
Travesty of Urban Little Russia in Travelogue “Famous Drums Beyond Mountains, or My Journey Somewhere in 1810” by I. M. Dolgorukov
Научный диалог
travelogue
imagology
i. m. dolgorukov
representation of ukraine in russian literature
image of little russia
title Travesty of Urban Little Russia in Travelogue “Famous Drums Beyond Mountains, or My Journey Somewhere in 1810” by I. M. Dolgorukov
title_full Travesty of Urban Little Russia in Travelogue “Famous Drums Beyond Mountains, or My Journey Somewhere in 1810” by I. M. Dolgorukov
title_fullStr Travesty of Urban Little Russia in Travelogue “Famous Drums Beyond Mountains, or My Journey Somewhere in 1810” by I. M. Dolgorukov
title_full_unstemmed Travesty of Urban Little Russia in Travelogue “Famous Drums Beyond Mountains, or My Journey Somewhere in 1810” by I. M. Dolgorukov
title_short Travesty of Urban Little Russia in Travelogue “Famous Drums Beyond Mountains, or My Journey Somewhere in 1810” by I. M. Dolgorukov
title_sort travesty of urban little russia in travelogue famous drums beyond mountains or my journey somewhere in 1810 by i m dolgorukov
topic travelogue
imagology
i. m. dolgorukov
representation of ukraine in russian literature
image of little russia
url https://www.nauka-dialog.ru/jour/article/view/5876
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