“The Child’s cry/Melts into the wall”: Sylvia Plath and maternal ambivalence

This article aims at studying the representation of motherhood in the fiction and poetry of Sylvia Plath using the concept of “maternal ambivalence”, which was first explored by psychoanalyst Rozsika Parker, and which has become central in the area of maternal studies. Although Sylvia Plath often dr...

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Main Author: Alice BRAUN
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2023-12-01
Series:E-REA
Subjects:
Online Access:https://journals.openedition.org/erea/16624
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author Alice BRAUN
author_facet Alice BRAUN
author_sort Alice BRAUN
collection DOAJ
description This article aims at studying the representation of motherhood in the fiction and poetry of Sylvia Plath using the concept of “maternal ambivalence”, which was first explored by psychoanalyst Rozsika Parker, and which has become central in the area of maternal studies. Although Sylvia Plath often drew a parallel between creativity and fertility in her earlier poems and some of her personal writings, the poems she wrote after she became a mother display the mixture of conflicting emotions which is typical of maternal ambivalence. The conflict revolves around the difficulty for Plath to articulate her life as a poet and a mother, but also around the possibility of writing about motherhood in a way that would not relegate her work to the margins of the literary canon. I would like to contend that Plath’s poems on the topic should not be read as confessions of her individual travails, but rather as explorations of the conflict between creativity and motherhood.
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spelling doaj-art-48a732aedc3540a29552aec6f07fdde32025-01-09T12:53:08ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182023-12-0121110.4000/erea.16624“The Child’s cry/Melts into the wall”: Sylvia Plath and maternal ambivalenceAlice BRAUNThis article aims at studying the representation of motherhood in the fiction and poetry of Sylvia Plath using the concept of “maternal ambivalence”, which was first explored by psychoanalyst Rozsika Parker, and which has become central in the area of maternal studies. Although Sylvia Plath often drew a parallel between creativity and fertility in her earlier poems and some of her personal writings, the poems she wrote after she became a mother display the mixture of conflicting emotions which is typical of maternal ambivalence. The conflict revolves around the difficulty for Plath to articulate her life as a poet and a mother, but also around the possibility of writing about motherhood in a way that would not relegate her work to the margins of the literary canon. I would like to contend that Plath’s poems on the topic should not be read as confessions of her individual travails, but rather as explorations of the conflict between creativity and motherhood.https://journals.openedition.org/erea/16624poetrySylvia Plathmotherhood20th centurymaternal ambivalencechildbirth
spellingShingle Alice BRAUN
“The Child’s cry/Melts into the wall”: Sylvia Plath and maternal ambivalence
E-REA
poetry
Sylvia Plath
motherhood
20th century
maternal ambivalence
childbirth
title “The Child’s cry/Melts into the wall”: Sylvia Plath and maternal ambivalence
title_full “The Child’s cry/Melts into the wall”: Sylvia Plath and maternal ambivalence
title_fullStr “The Child’s cry/Melts into the wall”: Sylvia Plath and maternal ambivalence
title_full_unstemmed “The Child’s cry/Melts into the wall”: Sylvia Plath and maternal ambivalence
title_short “The Child’s cry/Melts into the wall”: Sylvia Plath and maternal ambivalence
title_sort the child s cry melts into the wall sylvia plath and maternal ambivalence
topic poetry
Sylvia Plath
motherhood
20th century
maternal ambivalence
childbirth
url https://journals.openedition.org/erea/16624
work_keys_str_mv AT alicebraun thechildscrymeltsintothewallsylviaplathandmaternalambivalence