Au rythme des percussions : tambours rada et images exotiques territorialisées dans les films de zombis (et de) vaudou
Ever since the release of White Zombie (Halperin, 1932) and the subsequent golden age of voodoo zombi films from the 1930s to the 1950s, on-screen representations of voodoo have regularly relied on motifs and leitmotifs that exacerbate the exoticism of these practices. Already described in detail in...
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| Main Author: | Mikaël Toulza |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Presses Universitaires du Midi
2024-08-01
|
| Series: | Caliban: French Journal of English Studies |
| Subjects: | |
| Online Access: | https://journals.openedition.org/caliban/12686 |
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