Au rythme des percussions : tambours rada et images exotiques territorialisées dans les films de zombis (et de) vaudou

Ever since the release of White Zombie (Halperin, 1932) and the subsequent golden age of voodoo zombi films from the 1930s to the 1950s, on-screen representations of voodoo have regularly relied on motifs and leitmotifs that exacerbate the exoticism of these practices. Already described in detail in...

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Bibliographic Details
Main Author: Mikaël Toulza
Format: Article
Language:English
Published: Presses Universitaires du Midi 2024-08-01
Series:Caliban: French Journal of English Studies
Subjects:
Online Access:https://journals.openedition.org/caliban/12686
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