Psychopathologie et poétique de l’« ennui » en France au xixe siècle

At the turn of the 19th century, « weariness » (ennui) acquires, or rather recovers, the meaning of a subjective and painful experience in a strong sense, understood in terms of a void. It figures at the center of the psychiatric nosography of suicide, while denoting, for Chateaubriand and Senancour...

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Main Author: Juan Rigoli
Format: Article
Language:English
Published: Criminocorpus 2018-05-01
Series:Criminocorpus
Subjects:
Online Access:https://journals.openedition.org/criminocorpus/3777
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author Juan Rigoli
author_facet Juan Rigoli
author_sort Juan Rigoli
collection DOAJ
description At the turn of the 19th century, « weariness » (ennui) acquires, or rather recovers, the meaning of a subjective and painful experience in a strong sense, understood in terms of a void. It figures at the center of the psychiatric nosography of suicide, while denoting, for Chateaubriand and Senancour, an essential element of romantic consciousness and esthetics. A vast spectrum of common and scholarly terms, absolute or partial substitutes for « weariness », determines the narratives and descriptions of the melancholic state, with which it is associated. Through terms such as « disgust of life », « spleen », « vague passions », « tædium vitae » (in the Senecan sense), « misopsychia », among others, the boundary between literature and medicine is at once formed and blurred. An uncertain entity is incorporated into psychopathology, one that is regularly defended and contested, from Esquirol to Minkowski, and which awakens the memory of a poetics from which it believed to have freed itself.
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spelling doaj-art-30f938a9cafd489298280ced8fe9832c2025-01-06T09:16:03ZengCriminocorpusCriminocorpus2108-69072018-05-011010.4000/criminocorpus.3777Psychopathologie et poétique de l’« ennui » en France au xixe siècleJuan RigoliAt the turn of the 19th century, « weariness » (ennui) acquires, or rather recovers, the meaning of a subjective and painful experience in a strong sense, understood in terms of a void. It figures at the center of the psychiatric nosography of suicide, while denoting, for Chateaubriand and Senancour, an essential element of romantic consciousness and esthetics. A vast spectrum of common and scholarly terms, absolute or partial substitutes for « weariness », determines the narratives and descriptions of the melancholic state, with which it is associated. Through terms such as « disgust of life », « spleen », « vague passions », « tædium vitae » (in the Senecan sense), « misopsychia », among others, the boundary between literature and medicine is at once formed and blurred. An uncertain entity is incorporated into psychopathology, one that is regularly defended and contested, from Esquirol to Minkowski, and which awakens the memory of a poetics from which it believed to have freed itself.https://journals.openedition.org/criminocorpus/3777wearinesssuicidemelancholiavague passionspoeticspsychopathology
spellingShingle Juan Rigoli
Psychopathologie et poétique de l’« ennui » en France au xixe siècle
Criminocorpus
weariness
suicide
melancholia
vague passions
poetics
psychopathology
title Psychopathologie et poétique de l’« ennui » en France au xixe siècle
title_full Psychopathologie et poétique de l’« ennui » en France au xixe siècle
title_fullStr Psychopathologie et poétique de l’« ennui » en France au xixe siècle
title_full_unstemmed Psychopathologie et poétique de l’« ennui » en France au xixe siècle
title_short Psychopathologie et poétique de l’« ennui » en France au xixe siècle
title_sort psychopathologie et poetique de l ennui en france au xixe siecle
topic weariness
suicide
melancholia
vague passions
poetics
psychopathology
url https://journals.openedition.org/criminocorpus/3777
work_keys_str_mv AT juanrigoli psychopathologieetpoetiquedelennuienfranceauxixesiecle