La valeur parenthétique de la musique au cinéma : fondements musicologiques et picturaux
In many ways, the opening shot of Werckmeister Harmonies (2001, Tarr Béla, Hungary) contains the multiple issues spectators may encounter in Tarr’s films. In it, we see Valuska, an exalted mailman, lead the local drunks to re-enact a solar eclipse. However, just as the sunlight disappears behind the...
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| Format: | Article |
| Language: | fra |
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Pléiade (EA 7338)
2024-07-01
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| Series: | Itinéraires |
| Subjects: | |
| Online Access: | https://journals.openedition.org/itineraires/14752 |
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