En live sur Pitchfork : les performances multiples de la forme audiovisuelle
Based on a documentary analysis of audiovisual productions posted online on Pitchfork and the content that promotes it, this article explores how the use of live music allows the webzine to legitimize its role as a creative component within the music industries. How have the molding forces of digita...
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| Format: | Article |
| Language: | English |
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Université du Québec à Montréal
2022-12-01
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| Series: | Communiquer |
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| Online Access: | https://journals.openedition.org/communiquer/10128 |
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| _version_ | 1841543296351993856 |
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| author | Maxim Bonin |
| author_facet | Maxim Bonin |
| author_sort | Maxim Bonin |
| collection | DOAJ |
| description | Based on a documentary analysis of audiovisual productions posted online on Pitchfork and the content that promotes it, this article explores how the use of live music allows the webzine to legitimize its role as a creative component within the music industries. How have the molding forces of digital platforms, such as YouTube, transformed the webzine’s practices and the possibilities for creating and broadcasting live audiovisual productions? This article proposes the concept of form performance by exploring how multiple performances can be attributed to a given cultural form. |
| format | Article |
| id | doaj-art-2943ece8e7454a6aba02ec9e9d6ce3f5 |
| institution | Kabale University |
| issn | 2368-9587 |
| language | English |
| publishDate | 2022-12-01 |
| publisher | Université du Québec à Montréal |
| record_format | Article |
| series | Communiquer |
| spelling | doaj-art-2943ece8e7454a6aba02ec9e9d6ce3f52025-01-13T13:44:22ZengUniversité du Québec à MontréalCommuniquer2368-95872022-12-013512113210.4000/communiquer.10128En live sur Pitchfork : les performances multiples de la forme audiovisuelleMaxim BoninBased on a documentary analysis of audiovisual productions posted online on Pitchfork and the content that promotes it, this article explores how the use of live music allows the webzine to legitimize its role as a creative component within the music industries. How have the molding forces of digital platforms, such as YouTube, transformed the webzine’s practices and the possibilities for creating and broadcasting live audiovisual productions? This article proposes the concept of form performance by exploring how multiple performances can be attributed to a given cultural form.https://journals.openedition.org/communiquer/10128performancedigitalmusic presswebzinelive musicaudiovisual production |
| spellingShingle | Maxim Bonin En live sur Pitchfork : les performances multiples de la forme audiovisuelle Communiquer performance digital music press webzine live music audiovisual production |
| title | En live sur Pitchfork : les performances multiples de la forme audiovisuelle |
| title_full | En live sur Pitchfork : les performances multiples de la forme audiovisuelle |
| title_fullStr | En live sur Pitchfork : les performances multiples de la forme audiovisuelle |
| title_full_unstemmed | En live sur Pitchfork : les performances multiples de la forme audiovisuelle |
| title_short | En live sur Pitchfork : les performances multiples de la forme audiovisuelle |
| title_sort | en live sur pitchfork les performances multiples de la forme audiovisuelle |
| topic | performance digital music press webzine live music audiovisual production |
| url | https://journals.openedition.org/communiquer/10128 |
| work_keys_str_mv | AT maximbonin enlivesurpitchforklesperformancesmultiplesdelaformeaudiovisuelle |