Le film de fiction comme lieu de mémoire historicisé. Du signe-monument à la trace-interstice Pour l’exemple (Joseph Losey, 1964)
King and Country (Losey, 1964) recounts how a man’s ambivalent attitude was reduced to that of a courageous combatant who had been convicted of desertion in the First World War. Thus law and justice were used by the British government in order to eradicate desertion from national history. But the pa...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
TELEMME - UMR 6570
2010-10-01
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| Series: | Amnis |
| Subjects: | |
| Online Access: | https://journals.openedition.org/amnis/4501 |
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