DeMille and Danger: Seven Heuristic Taxonomic Categories of His Hollywood (Mis)Adventures
The legendary producer-director Cecil B. DeMille1 was an unsung auteur, a master of the American cinema, and a seminal cofounder of both Hollywood and Paramount Pictures who was professionally enamoured with the pursuit of sensationalism, authenticity and realism for his crowd-pleasing productions....
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European Association for American Studies
2014-03-01
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| Series: | European Journal of American Studies |
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| Online Access: | https://journals.openedition.org/ejas/10165 |
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| author | Anton Karl Kozlovic |
| author_facet | Anton Karl Kozlovic |
| author_sort | Anton Karl Kozlovic |
| collection | DOAJ |
| description | The legendary producer-director Cecil B. DeMille1 was an unsung auteur, a master of the American cinema, and a seminal cofounder of both Hollywood and Paramount Pictures who was professionally enamoured with the pursuit of sensationalism, authenticity and realism for his crowd-pleasing productions. Whilst pursuing this filmic quest, many of his crew were subjected to real danger, distress and injury, sometimes mortally. Utilising humanist film criticism as the guiding analytical lens, the critical DeMille, autobiographical and related anecdotal literature was selectively reviewed for illustrative instances of this infamous production penchant. Seven heuristic taxonomic categories were identified and explicated herein, namely: (1) Unexpected Working Accidents: From Annoying to Dangerous to Deadly, (2) Pain as a By-Product of Production: Expected and Unexpected, (3) Personal Discomfort as a Professional Norm: More Real Than Real?, (4) Professionalism as Expected Risk-Taking: Normalising Danger, (5) Miserliness and Rebellion: Managerial Risk-Taking, (6) The Engineering of “Accidents”: Applied Miserliness?, and (7) Bravely Leading from the Front: DeMille as Macho-Man. It was concluded from this montage of reported incidents that DeMille played a very colourful part in creating the factually-based legends of this never-to-be-repeated Golden Age of Hollywood. Further research into DeMille studies, the expansion of the above-constructed categories, and other autobiographical reminiscences about Tinsel Town is warmly recommended; whether as history, art or entertainment. |
| format | Article |
| id | doaj-art-228f54482d5f4b40818cb3598c440054 |
| institution | Kabale University |
| issn | 1991-9336 |
| language | English |
| publishDate | 2014-03-01 |
| publisher | European Association for American Studies |
| record_format | Article |
| series | European Journal of American Studies |
| spelling | doaj-art-228f54482d5f4b40818cb3598c4400542025-01-06T09:10:48ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362014-03-019110.4000/ejas.10165DeMille and Danger: Seven Heuristic Taxonomic Categories of His Hollywood (Mis)AdventuresAnton Karl KozlovicThe legendary producer-director Cecil B. DeMille1 was an unsung auteur, a master of the American cinema, and a seminal cofounder of both Hollywood and Paramount Pictures who was professionally enamoured with the pursuit of sensationalism, authenticity and realism for his crowd-pleasing productions. Whilst pursuing this filmic quest, many of his crew were subjected to real danger, distress and injury, sometimes mortally. Utilising humanist film criticism as the guiding analytical lens, the critical DeMille, autobiographical and related anecdotal literature was selectively reviewed for illustrative instances of this infamous production penchant. Seven heuristic taxonomic categories were identified and explicated herein, namely: (1) Unexpected Working Accidents: From Annoying to Dangerous to Deadly, (2) Pain as a By-Product of Production: Expected and Unexpected, (3) Personal Discomfort as a Professional Norm: More Real Than Real?, (4) Professionalism as Expected Risk-Taking: Normalising Danger, (5) Miserliness and Rebellion: Managerial Risk-Taking, (6) The Engineering of “Accidents”: Applied Miserliness?, and (7) Bravely Leading from the Front: DeMille as Macho-Man. It was concluded from this montage of reported incidents that DeMille played a very colourful part in creating the factually-based legends of this never-to-be-repeated Golden Age of Hollywood. Further research into DeMille studies, the expansion of the above-constructed categories, and other autobiographical reminiscences about Tinsel Town is warmly recommended; whether as history, art or entertainment.https://journals.openedition.org/ejas/10165HollywooddangeraccidentsGolden Agehumanist film criticismsilent films |
| spellingShingle | Anton Karl Kozlovic DeMille and Danger: Seven Heuristic Taxonomic Categories of His Hollywood (Mis)Adventures European Journal of American Studies Hollywood danger accidents Golden Age humanist film criticism silent films |
| title | DeMille and Danger: Seven Heuristic Taxonomic Categories of His Hollywood (Mis)Adventures |
| title_full | DeMille and Danger: Seven Heuristic Taxonomic Categories of His Hollywood (Mis)Adventures |
| title_fullStr | DeMille and Danger: Seven Heuristic Taxonomic Categories of His Hollywood (Mis)Adventures |
| title_full_unstemmed | DeMille and Danger: Seven Heuristic Taxonomic Categories of His Hollywood (Mis)Adventures |
| title_short | DeMille and Danger: Seven Heuristic Taxonomic Categories of His Hollywood (Mis)Adventures |
| title_sort | demille and danger seven heuristic taxonomic categories of his hollywood mis adventures |
| topic | Hollywood danger accidents Golden Age humanist film criticism silent films |
| url | https://journals.openedition.org/ejas/10165 |
| work_keys_str_mv | AT antonkarlkozlovic demilleanddangersevenheuristictaxonomiccategoriesofhishollywoodmisadventures |