Visages "mangés" par les détails. Réflexions autour d’une double rhétorique de la ressemblance aux débuts de la photographie
The particularly ambiguous position of the detail in relation to first photographic portraits is explored in the context of the construction of the idea of resemblance in photography’s very earliest days. Through contemporary writing and by analysing the images the aim is to define the complex role...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2006-09-01
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| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | https://journals.openedition.org/imagesrevues/190 |
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