Peinture navale et image de la nation en Angleterre (1660-1815)
Marine painting should be better used by historians as a source of information. This article is mainly devoted to the pictures illustrating battles at sea, as illustrations of national patriotism. It was at the end of the 17th century that the English became conscious of their own power at sea, face...
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| Format: | Article |
| Language: | English |
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Centre de Recherche et d'Etudes en Civilisation Britannique
2006-01-01
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| Series: | Revue Française de Civilisation Britannique |
| Online Access: | https://journals.openedition.org/rfcb/1641 |
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| author | Michel Depeyre |
| author_facet | Michel Depeyre |
| author_sort | Michel Depeyre |
| collection | DOAJ |
| description | Marine painting should be better used by historians as a source of information. This article is mainly devoted to the pictures illustrating battles at sea, as illustrations of national patriotism. It was at the end of the 17th century that the English became conscious of their own power at sea, faced with two of their main enemies, France and the Netherlands, two powerful maritime powers, also rich in marine paintings. Willem van de Velde Senior and Junior were certainly the models of the English painter Samuel Scott, the author of a vast quantity of marine paintings. Among the subject matters of such works, there were the Man of War, the whole Fleet with its flags, its tactics and power, its symbolism, and of course the battle itself. Such battles at sea were meant to embody the basic values of the English nation : courage and stubbornness, the willing sacrifice of seamen for their mother country. Such were the themes of all marine paintings during the gigantic Anglo-French wars at the time of the French Revolution and the Napoleonic Wars (1793-1815). The supreme hero was of course Nelson, the symbol of all values to be stamped in the collective memory. Many pictures were devoted to him, whose mutilated body, at Trafalgar, was represented as the ultimate sacrifice to his mother country, for the preservation of its greatness and nobility. |
| format | Article |
| id | doaj-art-0e9e44912b1241a89b0d18315c2c49b7 |
| institution | Kabale University |
| issn | 0248-9015 2429-4373 |
| language | English |
| publishDate | 2006-01-01 |
| publisher | Centre de Recherche et d'Etudes en Civilisation Britannique |
| record_format | Article |
| series | Revue Française de Civilisation Britannique |
| spelling | doaj-art-0e9e44912b1241a89b0d18315c2c49b72024-12-09T15:25:46ZengCentre de Recherche et d'Etudes en Civilisation BritanniqueRevue Française de Civilisation Britannique0248-90152429-43732006-01-0113410.4000/rfcb.1641Peinture navale et image de la nation en Angleterre (1660-1815)Michel DepeyreMarine painting should be better used by historians as a source of information. This article is mainly devoted to the pictures illustrating battles at sea, as illustrations of national patriotism. It was at the end of the 17th century that the English became conscious of their own power at sea, faced with two of their main enemies, France and the Netherlands, two powerful maritime powers, also rich in marine paintings. Willem van de Velde Senior and Junior were certainly the models of the English painter Samuel Scott, the author of a vast quantity of marine paintings. Among the subject matters of such works, there were the Man of War, the whole Fleet with its flags, its tactics and power, its symbolism, and of course the battle itself. Such battles at sea were meant to embody the basic values of the English nation : courage and stubbornness, the willing sacrifice of seamen for their mother country. Such were the themes of all marine paintings during the gigantic Anglo-French wars at the time of the French Revolution and the Napoleonic Wars (1793-1815). The supreme hero was of course Nelson, the symbol of all values to be stamped in the collective memory. Many pictures were devoted to him, whose mutilated body, at Trafalgar, was represented as the ultimate sacrifice to his mother country, for the preservation of its greatness and nobility.https://journals.openedition.org/rfcb/1641 |
| spellingShingle | Michel Depeyre Peinture navale et image de la nation en Angleterre (1660-1815) Revue Française de Civilisation Britannique |
| title | Peinture navale et image de la nation en Angleterre (1660-1815) |
| title_full | Peinture navale et image de la nation en Angleterre (1660-1815) |
| title_fullStr | Peinture navale et image de la nation en Angleterre (1660-1815) |
| title_full_unstemmed | Peinture navale et image de la nation en Angleterre (1660-1815) |
| title_short | Peinture navale et image de la nation en Angleterre (1660-1815) |
| title_sort | peinture navale et image de la nation en angleterre 1660 1815 |
| url | https://journals.openedition.org/rfcb/1641 |
| work_keys_str_mv | AT micheldepeyre peinturenavaleetimagedelanationenangleterre16601815 |